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A least 2 bands use the name Dum Dum Boys:
DumDum Boys is a French rock band from Nice, but also a Norwegian rock band from Trondheim.
The latter started up in the late 1970s as a punk band under the name Wannskrækk. Wannskrækk released one of the most sought-after Norwegian punk seven inches called "Faen kuler treffer aldri riktig" in 1981, the year after the Wannskrækk 12" was released. Wannskrækk moved on and reinvented themselves with a new name and a somewhat new sound in 1985.

This shift invoked the beginning of one of the greatest success stories in Norwegian rock ever. The new name, DumDum Boys, was taken from a song on the album "The Idiot" by Iggy Pop. Their debut album, Blodig Alvor (na na na na na), is still regarded as one of the classic albums in Norwegian rock. The same is said for their following 1989 album, Splitter Pine. They are still the only band that have won "Spellemannsprisens Rock Category" (the Norwegian version of "Grammy Awards") three times in a row.

Third album Pstereo fulfilled the trilogy of award-winning LP's, including the two others mentioned above. The song "Splitter Pine" is one of the most well known rock-singles in the history of Norwegian rock. Since then, bass player Persi Iveland has been replaced by Aslak Dørum, who now is the song-writer alongside rock legend and guitarist Kjartan Kristiansen. Kristiansen is one of the most respected song-writers in Norway, especially because of his well written and important lyrics, sung by frontman Prepple Houmb. Sola Johnsen is still the drummer and has been that since the late 70's. He's released a solo-ep called "Verdens Beste Trommis" ("Worlds Greatest Drummer"), as a tribute to Led Zeppelin hero John Bonham.

After a seven year hiatus, they had a very successful tour in Norway during the summer of 2004. They went back into the studio in 2005 and released their critically acclaimed new album "Gravitasjon" in March 2006. "Gravitasjon" showed that DumDum Boys is still a band influenced by the punk rock scene. The band is now planning a giant summer tour in Norway and it is expected that all concerts will be sold-out.

Airbourne

When Airbourne entered Music Farm Studio in southeastern Australia to track their new self-titled album, the sixth in a recording career now two decades deep, they effectively drew a line in the Byron Bay sand. This was the moment. Time to dig deep, to show the values they keep close, the traditions they uphold, the music that defines them. While history proves these Melbourne-based musicians – brothers Joel and Ryan O’Keeffe, vocals / guitar & drums respectively, bassist Justin Street and guitarist Brett Tyrrell – to be ever ready for a challenge, this one was larger than the band. Their mission was to create not just the greatest body of work in the Airbourne canon, but to scale the highest possible peak. Simply, this is ‘Airbourne’, band and album, at the very peak of their powers, pushing themselves to the limit in single-minded pursuit of the “iconic, gargantuan” release they had in their sights from the start; a release – produced by Brian Howes (who helmed 2013’s ‘Black Dog Barking’), engineered by Mike Fraser (who worked on 2010’s ‘No Guts. No Glory’ and 2016’s ‘Breakin’ Outta Hell’), mixed by Zakk Cervini (BMTH, Architects) and mastered by the legendary Ted Jensen – that pays heartfelt tribute to the enduring spirit of fallen rock’n’roll idols like Bon Scott and Lemmy, John Bonham and Malcolm Young, revered artists kept alive in the hearts and minds of fans.

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‘The Men’ and ‘Warrior Chant’ OUT NOW thehu.lnk.to/themen

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