Gorillaz

Gorillaz is a British pop band created in 1998 in London, England, as the creative brainchild of musician Damon Albarn and graphic artist Jamie Hewlett. The band consists entirely of fictional members, with Albarn and various guests creating the band’s music.

TWENTY ØNE PILØTS

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Mumford & Sons

new album "PRIZEFIGHTER" out now

The Cure

The Cure are a band formed in 1976 hailing from Crawley, West Sussex, in the United Kingdom. Fronted by lead singer and songwriter Robert Smith, they came from the post-punk scene of the early 80’s to become one of the biggest and most influential bands in modern rock.

The Lumineers

Automatic - Out Now

TheLumineers.lnk.to/automatic

Halsey

Halsey (born September 29, 1994) is the stage name of American indie-pop singer-songwriter and musician Ashley Frangipane, hailing from Washington, New Jersey, U.S.

The xx

It all started in a bedroom in south west london, after school, drinking too much pepsi. We just keep on growing.

Pixies

Alternative rock band formed in 1986 in Boston, Massachusetts.

Lewis Capaldi

Lewis Marc Capaldi is a Scottish singer-songwriter and musician. He was nominated for the Critics' Choice Award at the 2019 Brit Awards. In March 2019, his single "Someone You Loved" topped the UK Singles Chart where it remained for seven weeks, and in November 2019, it reached number one on the US Billboard Hot 100; it was nominated at the 62nd Annual Grammy Awards for Song of the Year and won the 2020 Brit Award for Song of the Year. Capaldi also won the 2020 Brit Award for Best New Artist.

Moby

Moby is an American electronic musician and is also the name of his live band. Born Richard Melville Hall on September 11, 1965 in Harlem, New York. Moved to Darien, Connecticut at the age of 2.

He's also released music under the names Voodoo Child, Barracuda, U.H.F., The Brotherhood, DJ Cake, Lopez, On the Rim of the Wheel a Nail, and Brainstorm/Mindstorm.

Moby plays keyboards, guitar and bass guitar, and expresses mild[/atrist] irritation at the assumption that everything on his newer albums are samples. He took his performing name from the novel Moby Dick by Herman Melville, who is his great-great-granduncle.

Early years

Moby used to be in a punk band called the Vatican Commandos, which was formed in 1980, but abandoned punk in 1989 for electronic music. He realized his music tastes and growth were going in a different direction than his previous band's.

His first album "The Story So Far (aka Moby)" featured the single "Go", which gained popularity in many discos, and earned a spot on the UK charts. The song is so popular that Moby still plays "Go" regularly in his sets. "Go" is a progressive track using the string line from "Laura Palmer's Theme" from the TV drama Twin Peaks.

1994-1998

His first album for the UK based MUTE Records was Everything Is Wrong (which had US distribution via Elektra) , which earned early critical praise and minor commercial success. He followed that up with a hard rock/electronic album called Animal Rights in 1996. In 1997, he released I Like to Score, a collection of music included in movies. Among those tracks was an updated version of the James Bond theme used for the James Bond film Tomorrow Never Dies. However, both Animal Rights and I Like to Score had only limited success and Moby and Elektra parted company however he remained signed to MUTE.

1999-2004

After a decade's worth of music, Moby's breakthrough album was 1999's Play. Mainstream reviewers raved about his talents on the album (released on V2 Records) though some early fans were let down. The album has 18 tracks and was the first album in history to have all of its tracks commercially licensed: "Porcelain," for instance, appeared on TV commercials for Bailey's Irish Cream, Hong Kong's PCCW and Nordstrom, and Volkswagen's MKIV Jetta; "Find My Baby" was on a commercial for American Express featuring golfer Tiger Woods. The album's tracks eventually were accepted in various radio formats, but because of Play's extensive licensing, the album could have been financially successful even without radio play. In addition to fame garnered through its licensing, Play is also notable for its extensive sampling of old blues recordings collected by Alan Lomax. In a 2005 posting on his web site, Moby theorized that his eagerness to license his music is a result of "growing up in poverty."

In 2001, Moby founded the Area:One Festival. It was a popular touring rock festival that featured an eclectic range of musical genres. A second tour was organized for the following year.

In 2001 Moby also earned the ire of Eminem after calling his music misogynistic and homophobic; Eminem later satirized Moby (among others) in "Without Me," calling him a "fag" and questioning his relevance with the claim "Nobody listens to techno." Moby replied that he hadn't played techno since 1992. The two were in a confrontation at the 2002 MTV Video Music Awards, though Moby expresses respect for Eminem as an artist.

In 2002, Moby briefly had a television show on MTV, Señor Moby's House of Music, which focused mostly on more obscure electronic music. Also in 2002, Moby released 18, an album that had 18 tracks. The most popular song on the album was "We Are All Made of Stars". Moby says he wrote "We Are All Made of Stars" because of the September 11th Terrorist Attacks, which happened on his birthday.

2005

In 2005 Moby released "Lift Me Up", a single from his album Hotel, which featured, in addition to numerous remixes, UK company Digimpro's software. The program allows users to remix the song - using any or all of the samples included—and save it as an MP3 file. Thus unlimited, personalized versions of the title track were possible. Digimpro had previously seen exposure with group Erasure's single "Breathe," allowing users the same ability. Instead of his usual usage of samples, all of the vocals and instruments on "Hotel" were performed live in the studio by Moby and vocalist Laura Dawn, who is the Cultural Director of MoveOn.org.

For certain dates on Moby's 2005 European tour, Liveherenow provided concert goers with CDs of the show 10 minutes after the show finished. Other Mute Records artists like Erasure and Client have previously used this company for similar reasons.

2006

Moby has recently scored the soundtrack for Richard Kelly's upcoming movie 'The Southland Tales'. Whilst he is generally against composing music for films, he was a huge fan of Kelly's previous film 'Donnie Darko' and could not resist the offer the director gave him.

ITV in the United Kingdom use Moby's song "Lift Me Up" for their coverage of Formula One racing by using the song as the intro. and also snippets to segway's for interviews and advertisements.

Also, Moby had one of his older songs used in a Original HBO series, The Sopranos. This song, "When its Cold I'd like to Die" was used in the last scene in which Tony was in his dream state.

Beside music

Moby is a vegan, non-denominational Christian and self-proclaimed "simpleton" (for his often sincere and idealistic political assessments).

Moby lives in New York City's Little Italy, where he's lived for a decade in a small apartment in a five-story building across the street from David Bowie. Until recently he co-owned a small restaurant and coffee shop called TeaNY, where he occasionally waited tables. He also organized the Little Idiot Collective, a group of artists that also includes cartoonist and musician James Kochalka Superstar. He's a huge fan of the TV series "The Simpsons".

Activism

Moby is a well known advocate for a variety of progressive causes, working with MoveOn.org, and PETA, among others. He created MoveOn Voter Fund's "Bush in 30 Seconds" contest along with singer Laura Dawn and MoveOn Executive Director Eli Pariser.

He also actively engages in nonpartisan activism. He has performed benefit concerts for the Institute for Music and Neurologic Function, promoting music therapy. Moby also serves on the Board of Directors of Amend.org, a nonprofit that implements injury prevention programs in Africa.

He is an advocate of network neutrality and he testified before the US House committee debating the issue in 2006.

The Prodigy

Rising out from Essex, UK, The Prodigy have become one of the biggest electronic acts for over the past 20 years.

Kasabian

* Ian Matthews - Drums & Percussion

* Christopher Edwards - Bass

* Jason Mehler - Guitar (only at live shows)

The band has been compared with the likes of Primal Scream, with their similar electronica-indie rock fusion and Oasis, with whom they share their confidence, vision, swagger and rough vocal style. Some influence can be seen from their days supporting Vitriol I.D.

It has been speculated that the name "Kasabian" is taken from the getaway driver (named Linda Kasabian) for the Tate murders committed by the Manson Family.

The band formed in 1999 in Leicester, England Their first album was simply "Kasabian", and in 2004 received lacklustre reviews. However, tracks such as Cutt Off and L.S.F (Lost Souls Forever) reached the UK top 10, and with 2 more top 20 hits and the album peaking at #4 in the UK Album Charts, they defied the critics.

Their new album, "Empire", was released on the 28th of August 2006. The first single from the album, also titled "Empire", was widely regarded as a musical success, with its change of beat reminiscent of "Take Me Out", and its catchy chorus. This was then followed by the release of the single, "Shoot The Runner" and most recently, "Me Plus One".

Teddy Swims

“Bad Dreams” out now !!

https://TeddySwims.lnk.to/BadDreams

The Vaccines

UK-based music group.

The War On Drugs

The history of rock ’n’ roll is a story of splintering. Stop here for 10 seconds, and think: How many niches can you name without even trying, without having to pause for just a split second? They seem infinite and, already the better part of a century since rock’s bastard birth, still ceaseless, each new form defined by the mainframe’s perpetuity of flux.

But over the last 15 years, The War on Drugs have steadily emerged as one of the mightiest counterweights to this endless division, reconnecting rock’s manifold hyphenates with an ardor and ease that suggest they were never split far apart in the first place. Folk, indie, kosmiche, noise, roots, arena, psychedelic, soft, whatever—The War on Drugs are this century’s great rock ’n’ roll synthesists, obviating the gaps between the underground and the mainstream, between the abstruse and the anthemic, making records that wrestle a fractured past into a unified and engrossing present. The War on Drugs have never done that so well as they do with I Don’t Live Here Anymore, their fifth studio album and their most compulsive and bold set of songs to date.

A Perfect Circle

A Perfect Circle's official Facebook page.

Royel Otis

In the lyrical justice system, the people are represented by two separate yet equally important groups: The Royel, who investigate rhyme, and Otis, who prosecutes the offenders. These are their stories.

Loyle Carner

Agnes Obel

www.agnesobel.com

The Last Dinner Party

You are cordially invited

Ethel Cain

Official Facebook page for Ethel Cain.

Lauren Spencer-Smith

Lauren Spencer Smith feels everything to the utmost extreme. She isn’t afraid to cry. She won’t go quiet if she needs to yell. She doesn’t hide stress, doubt, anxiety, or anger. Rather, she runs towards these feelings, embraces them, and turns them into soulful sky-high pop anthems that you can sing along to at the top of your lungs. This emotional fearlessness has transformed the UK-born / Canadian raised singer and songwriter into a multiplatinum sensation whose voice strikes a chord with fans worldwide. Hailing from a tiny town on a remote Canadian island, Lauren learned how to sing by practicing over and over again alone in her room. “No concerts ever came to where we lived, and I didn’t grow up doing things like musical theater,” she says. After years of grinding, she independently broke through with the Platinum-certified “Fingers Crossed,”going mega-viral and landing a deal with Island / Republic Records in 2022. It paved the way for full-length debut, Mirror, which yielded the Platinum-certified “Flowers” and fan favorite “That Part”. Along the way, she lit up The Tonight Show Starring Jimmy Fallon and packed houses on multiple continents during her headline The Mirror Tour. Billboard named her among its “21 under 21,” and she incited the applause of People, The Guardian, DORK, and Stereogum who christened her “Gen Z’s new favorite breakup balladeer.” Following widespread acclaim and billions of streams, she resonates more than ever on her 2025 second full-length offering, The Art of Being a Mess [Island / Republic Records], introduced by the singles “Pray” and “If Karma Doesn’t Get You (I Will).”

Paul Kalkbrenner

Berlin’s Paul Kalkbrenner is a unique international talent. In fact, with seven studio albums and more than 2.3 million Facebook fans, he is one of techno’s biggest superstars. In a time where the big drops of EDM and cake throwing DJs seem to reign su..

Palaye Royale

Equal parts brit-pop, glam rock and art-punk, Palaye Royale has amassed over half a billion streams throughout their career and earned a legion of cult-like fans with their adrenaline-fueled, Rock n’ Roll circus. First landing in Los Angeles as teenagers, Las Vegas-bred brothers Remington Leith (vocals), Sebastian Danzig (guitar), and Emerson Barrett (drums) , worked their way up through the ruthless L.A.rock scene going from playing basement shows while living out of their car to headlining arenas around the world and touring with the likes of Yungblud. The band is readying their fourth full-lengthFeverDream, which emerged from a much-needed break in the chaos, returning to their roots and composing most of the album on piano. Equal parts ecstatic head rush and in-depth meditation on the state of the human psyche, the result is Palaye Royale’s boldest and most visionary body of work to date. With their fast-paced dirty rock n’ roll and unparalleled swagger, Palaye Royale have endlessly delivered an electrifying live show, one that frequently finds Remington hanging from the rafters. And whether they’re taking the stage at major festivals like Reading and Leeds, Download and Pinkpop or playing to sold-out crowds in such far-flung locales as Amsterdam, Prague and Mexico City, the band’s most crucial ambition is to deepen their rarefied connection with their beloved fanbase, lovingly dubbed the Soldiers of the Royal Council

Dylan Gossett

Hailing from Austin, Texas, singer, songwriter, and producer Dylan Gossett has quickly become a rising face of Texas Country with his signature blend of Americana and Red Dirt influences and lyricism rooted in his southern upbringing. The Multi-Platinum certified singer and songwriter initially took flight in 2023 with his breakthrough single “Coal,” which has now passed half-a-billion streams. Gossett continued his rise with the No Better Time EP and Songs In The Gravel EP, which he self-wrote, recorded, and produced. Over the last two years, he has tirelessly toured the globe while building a formidable fanbase. Not to mention, he’s become a standout at multiple festivals in addition to making his Grand Ole Opry debut. This career-defining momentum set the stage for his 2025 full-length debut Westward, released via Big Loud Texas/Mercury Records. Once again, Dylan self-produced and wrote the entire album, with three songs co-written with close friend and bandmate Colton Forrest Hardy. Led by singles “Like I Do,” “American Trail,” and “Sweet Lady,” the album thematically ponders the nature of love, family, faith, and what it means to pursue a lifelong dream.

Sierra Ferrell

All Them Witches

ALL THEM WITCHES

SPRING TOUR ON SALE NOW

https://allthemwitches.lnk.to/tour

Kneecap

Hip-Hop Threesome as

Matt Berninger

A singer recognized for his deep baritone, brooding delivery, and contemplative, literate lyrics, Matt Berninger rose to fame during the 2000s as front man of Brooklyn indie rockers The National. Emerging early in the decade amidst a garage rock revival that included bands like The Strokes and The Walkmen, The National drew from a wider set of influences, including alternative country-rock, Americana, and chamber pop as well as post-punk. Their earliest albums won a dedicated fan base and critical praise before they made an impact on the charts with their fourth LP, 2007's Boxer. The National catapulted into the Top Three of the album charts with 2010's High Violet, and have remained a Top Three act throughout the decade as band members pursued other projects, including Berninger's new wave-influenced duo, EL VY. In 2016, Berninger co-founded “7-inches for Planned Parenthood”, a curated series of records featuring music, comedy, spoken word, and visual art released in support of Planned Parenthood Federation of America. 2017's Sleep Well Beast made Berninger and his National bandmates Grammy winners and 2019 saw the release of their most recent album, I Am Easy to Find. The singer's many collaborations have included songs with Andrew Bird, Booker T. Jones, Jon Brion, and Julien Baker. Berninger’s first solo record, Serpentine Prison, will be released in 2020.

The Haunted Youth

The grainy look of a long-forgotten Polaroid, washed-out VHS recordings in sepia tones, and a shiver of bittersweet nostalgia: Belgium’s The Haunted Youth show us that we are more ruthlessly separated from yesterday than by any distance. Nevertheless – or perhaps precisely because of this – the echoing dream pop of the Limburg quintet evokes a certain longing for better times, no matter how romanticised they may be. It’s a recipe for emotional resonance that is not new, but this project transcribes it into the present with an extraordinary sense of melody and effect. Songs with the perceived ambiguity of ‘Teen Rebel’ and ‘Coming Home’ carry the dopamine swirls of unfulfilled love but also the anticipation of everything that may yet come. In this, they stand in a rich tradition that stretches from MGMT and DIIV to Slowdive and The Cure. On their debut album, ‘Dawn Of The Freak’ (2022), they shine in the light of these sources of inspiration while at the same time establishing their own signature sound. Anyone who warms to such sound spectrums will find The Haunted Youth to be an all-round package.

Zwangere Guy

Dogstar

Mogwai

Mogwai formed in 1995 in Glasgow. The band consists of Stuart Braithwaite (guitar, vocals), Barry Burns (guitar, piano, synthesizer, vocals), Dominic Aitchison (bass guitar) and Martin Bulloch (drums). Since 1997, the band have released ten studio albums, with their most recent, 2021’s As The Love Continues, being a commercial and critical success, reaching number 1 on the Official UK Album Charts, amassing a Mercury Prize nomination and winning the Scottish Album of the Year award.

The band have also contributed to and written scores for projects with Amazon Prime and Apple TV+. Earlier this year, it was announced that Blazing Griffin, Adler Entertainment, Rock Action Records and Screen Scotland had completed post-production of Mogwai: If The Stars Had A Sound, a first documentary about the band, directed by longtime collaborator Antony Crook. The documentary had its World Premiere at South by Southwest (SXSW) in Austin, Texas, in March 2024 and is currently being shown at film festivals across the world.

Mogwai have recently been in the studio recording new music.

Pup

It seems significant that there were bats in the mansion’s attic, although how significant it seems will have something to do with how you feel and what you know about PUP. None of it is a metaphor, and also all of it is.

The mansion, for its part, is very real—it is a sprawling residence-slash-studio in Connecticut’s most dispiriting mid-sized city where the producer Peter Katis has helped acts like The National and Interpol and Frightened Rabbit and Kurt Vile make records. There are gold records on the walls and warrens of strange new rooms that the band members discovered seemingly daily; the roof leaks when it rains, and the bats reclaim the attic after dark. PUP singer Stefan Babcock recorded all his vocals in the living room, at night. “The other guys were just trying to live their lives,” he said, “and Nestor and I would be down there screaming into microphones while they were watching TV in the next room.” Babcock remembered Katis telling him that the bats “go away” during the daytime hours. “I was like, ‘no, they’re sleeping,’” Babcock said. “They don’t go anywhere, there’s nowhere for them to go.’”

The band spent five weeks there in the summer of 2021, recording and mixing the typically furious and anthemic songs that would become their fourth album, THE UNRAVELING OF PUPTHEBAND. The band—Babcock, bassist Nestor Chumak, drummer Zack Mykula, and guitarist Steve Sladkowski—more or less never left. “There were some days that were really great, like magical, everything worked and then we’d go to the kitchen and make a great meal,” Sladkowski said, “and then there were days when you’re like ‘I can’t remember the last time I’ve been outside.’” Circumstances—a global pandemic, still happening, not much fun to talk about and won’t be addressed further here—made cultivating a healthy, communal vibe more difficult, but the band powered through by having friends like Sarah from Illuminati Hotties, Kathryn from NOBRO, Mel from Casper Skulls, and Erik from Remo Drive pitch in. When the band got comfortable in its strange new home, the (figurative) walls came down. “As the weeks passed, we seemed less and less rational, objective, and sane,” Babcock says. “You can hear the band start to fall off the cliff, and because of that, I think this record is our truest and most genuine to date. There is nothing more PUP than a slow and inevitable descent into self-destruction.”

Every PUP record arrives with an implied “contents under pressure” warning; the tension between the band’s instinct for the melodic and its gift for chaos propels the songs forward while making them also seem close to flying apart in a horrifying spray of tears and gore. To listen to PUP enough is to spend parts of every day mentally echoing some hilariously self-lacerating, utterly undeniable choruses; you will find yourself thinking “this is the mosh part” at moments when you would otherwise be tearing yourself apart. It is one thing to feel, as Babcock sings on THE UNRAVELING’s “Totally Fine,” “like I’m slowly dying/and if I’m being real I don’t even mind,” but it is another, very different thing to find yourself shouting along with those words. There’s a tension here, too. “There’s only so many times you can write a song about how much you hate yourself before you write a song about how fucking good you are at hating yourself,” Babcock says. “It’s funny that we’ve provided for ourselves by being fuck-ups and writing songs about being fuck-ups. We’ve been fuck-ups forever, and now we’ve got a responsibility, to others and to ourselves, to fuck up in a productive manner.”

That’s not any easier than it sounds, but also the volatility is the thing; all that tension is always just barely held in place by the band’s craft. It couldn’t be anything but uneasy, but THE UNRAVELING OF PUPTHEBAND is the sound of a band that is not just comfortable with but in command of that chaos.

We are back in the mansion, now, albeit the metaphorical one. PUP is objectively a very successful band. They won a Juno Award for Alternative Album of the Year for 2019’s Morbid Stuff and have been nominated for the Polaris Prize and many nice things have been said about them in the places that people say nice things about bands; because they are PUP, "nice things" in this case means Pitchfork saying that they “turn self-loathing and self-deprecation into a sort of superpower.” Fans happily sing the coruscating words of their songs aloud in sold-out venues all around the world; they did a version of arguably the harshest song on 2019’s Morbid Stuff for a 2020 CBC Kids Christmas special in which they replaced the lyric “embrace the calamity” with “embrace the festivities”; they have performed on Late Night with Seth Meyers, and played at major festivals like Lollapalooza, Boston Calling, Shaky Knees, and Riot Fest. A mansion is a place where such a band might go to record an ambitious fourth album. That success doesn’t haunt THE UNRAVELING, although it does make it funnier; the “Four Chords” piano ballad threaded through the album tells the tale of a contentious quarterly meeting of PUP’s “board of directors” going selfishly awry. There is a long history of Mansion Albums; sometimes it works out well and sometimes it works out less well and more often than would seem plausible a Jaguar convertible winds up at the bottom of a swimming pool.

PUP is not really that kind of band, though, and THE UNRAVELING OF PUPTHEBAND is not that kind of record. It is still very much a PUP album, but relocating from the literal basement where they wrote Morbid Stuff to the janky manse in which they put together its follow-up afforded the band space to grow, and to make not just the next PUP record but the most PUP record. “This is a band that, until this record, out of some weird fucked up sense of misguided pride or idiocy, felt that we should never use any instruments aside from drums, bass, and guitars,” Babcock says. “We quickly came to realize that the instrumentation isn’t what makes PUP songs PUP. It’s the songs themselves, finding this balance between heavy and melodic, dark and fun, pushing the limits of our writing chops and musicianship in a way that makes us laugh and also want to smash shit. So this record starts with the stupidest piano ballad of all time. And there are synths. And there are horns. And there are some 808s and trap hi-hats. And some other weird shit that we haven’t done before.”

There is no faking that, which of course makes it all much harder to do. In the best PUP songs, the whole process is not just visible but thrilling—the anguish and doubt that drives the songs is nurtured, over a few loud minutes, into something first legible and then somehow empowering. There are a lot of these songs on THE UNRAVELING. The alternately plaintive and anthemic “Matilda” is a classic galloping PUP shout-along recrimination-fest that sounds bigger than previous entries in this robust subgenre without losing any of the signature acid. “Waiting” is pure paint-stripping heat, topped by some legitimately towering choruses. “Robot Writes A Love Song” dissolves into a wash of nervous synthesizer before becoming what is surely the most emotional song ever written from the perspective of a computer being overwhelmed unto death by actual human emotions. “I wanted to write about the horrible state of the world, but through a very specific and personal lens,” Babcock says. “It’s a lot of me trying to articulate my own coping with existential dread, hopelessness, and what I’ve called ‘Grim Reaping’—which is to me, the idea that we are all reaping what we sow, and right now we’re sowing some pretty fucked up shit.”

THE UNRAVELING is not a departure from what got PUP here, really; for all the new breadth, this is still very much the fourth album by the band that has spun songs about The Bad Decisions Lifestyle into scrappy art. The hooks are as bright and barbed as always; the poison threaded through every song is no less potent. But a fourth album should be different from the first, or even the third, and THE UNRAVELING is. “I don’t know that we set out to do new stuff,” Mykula says, of a record on which the band does a great deal of new stuff. “It’s just a band trying to sound as much like themselves as possible. Every record you make, you get closer to that.”

THE UNRAVELING OF PUPTHEBAND is that next step—not towards perfection, or even towards some more perfect version of writing songs about fucking up, but just in the direction of its choice. It’s a product of this endless awful broader moment, but also very much a step forward into that uncertainty. “The whole album process really brought us closer together, even as things unraveled,” Babcock says. “It’s hands down my favorite PUP record, and I don’t think it could’ve been made under any other circumstances.” It’s the sound of a band learning how to share the mansion with the bats.

Chezile

Landmvrks

Bad Nerves

jazz band from skid row

bobby bird

will power

jon poulton

sam thompson

george berry

Adrian Quesada

Man/Woman/Chainsaw

Karen Dió

Ise

singer-songwriter from Belgium

NewDad

Galway-formed band NewDad formed in Galway, Ireland in 2020 after coming together for a musical practical at school, as part of a final year project. It’s a songwriting journey that began at the age of nine, when singer/guitarist Julie Dawson took up guitar after falling for Mexican guitar duo Rodrigo y Gabriele.
The alt/rock collective’s debut album Madra, is set for release on January 26, 2024, through Fair Youth/Atlantic.
The album finds NewDad reconnect with their musical roots, digging deep into the shoegaze/rock sonics that soundtracked their formative years (the band cite Pixies, The Cure and Slowdive as some of their biggest early influences), together with glimmers of indie/pop that harks back to their earlier material: ‘Waves EP’ (2021) and ‘Banshee EP’ (2022). Recorded at the legendary Rockfield Studios (Black Sabbath, Queen), the album has been produced by NewDad’s long-time collaborator Chris Ryan (Just Mustard) and mixed by Alan Moulder (The Smashing Pumpkins, Nine Inch Nails, Wet Leg). Bound together by Julie’s ghostly vocal - a vessel for her weighty, introspective songwriting – Madra firmly marks NewDad as one of Ireland’s most promising debut guitar bands.

Dressed Like Boys

Jelle Denturck is the singer and frontman of DIRK., a popular Belgian indie band that – in his own words – ‘has been making a fair amount of noise these past few years’. But in fact he thinks he’s a real softie, with a record collection full of melancholic indie pop and rock music: Bowie, Beatles, Lou Reed, Elton John, Nina Simone, Anohni & The Johnsons, Sufjan Stevens, Perfume Genius, Wilco, Tobias Tesso Jr. … clearly there’s a side to Denturck that doesn’t easily reveal itself in DIRK.’s music.

It's about time, Denturck feels. As Dressed Like Boys he wanted to write songs and make a record all of his own. Not to turn it into an ego trip, but by way of self-examination. Denturck sings about the search for personal freedom, about his dearest friends, his homosexuality and relationship, but doesn’t shy away from uncomfortable topics like gay bashing either. It doesn’t get more personal and fragile than this.

Twenty One Pilots

One of the best music shows you can see. Ohio musicians Tyler Joseph and Josh Dun have redefined live performance in just two years. In a short time, they have become leading representatives of the alternative scene, one of the most innovative and influential bands of the last decade. Get your masks, hoods, colored tape, body paint, makeup, and especially your vocal cords ready. Whether you've fallen head over heels for their world or are new to their work, their breathtaking show will captivate everyone and turn you into a fan in a matter of minutes. Twenty One Pilots have been returning to the Czech Republic regularly since their first stop in 2016. Symbolically, ten years after their first concert in Prague and four years after their debut at Colours, they are coming to Ostrava to conclude the story they began telling ten years ago. Thanks to their anthems, which explore personal struggles, resilience, and hope, they have built a deeply devoted community of fans who perceive their music not only as entertainment but as a lifeline. Their breakthrough came with the Grammy-winning single Stressed Out and the multi-platinum album Blurryface, which introduced the world to their signature blend of energetic performances and honest storytelling. The follow-up albums Trench, Scaled and Icy, Clancy, and Breach further expanded their creative vision and showed a band that is not afraid of evolution but remains true to its core message of connection and authenticity. Colours of Ostrava may be the last chance to see the band live for a long time. Don't miss this opportunity!

LA LOM

The Los Angeles League of Musicians, LA LOM, are an instrumental trio formed in Los Angeles in 2021. They blend the sounds of Cumbia Sonidera, 60’s soul ballads and classic romantic boleros that emanate from radios, backyard parties and dance clubs of Los Angeles with the twang of Peruvian Chicha and Bakersfield Country.

Rock Werchter 2026 @ Festivalpark Werchter

Rock Werchter 2026 @ Festivalpark Werchter

Performers