Flow Festival 3 PÄIVÄN LIPUT - 14.-16.8.2026
SUVILAHTI, Parrukatu,, 00540 Helsinki Directions
Sun 16.08.2026 00:00
Flow Festival 2026 at Suvilahti at 2026-08-14
Performers
-
Florence + The MachineFlorence & The Machine Fanmail
PO Box 79632
London
United Kingdom
-
Zara LarssonZara Larsson is a Swedish singer and songwriter.
Website: http://zaralarssonofficial.com/
Twitter: @ZaraLarsson
Instagram: http://instagram.com/ZaraLarsson
Facebook: https://www.facebook.com/ZaraLarssonOfficial
Snapchat: zaralarsson
-
Nick Cave & the Bad Seeds
Wild God the new album from Nick Cave & The Bad Seeds will be released on 30 August.
Stream Wild God the single now.
www.nickcave.com
-
TurnstileNEVER ENOUGH
-
KettamaRinse FM, 4th Thursday of the Month 23:00-01:00
-
Miss Honey Dijon
Honey Dijon's brazen style blends all genres without looking to the past. She captivates with her instinct, versatile sound and dazzles the club and fashion circuit in London, Paris, Berlin and New York.
-
Sombr
listen to my latest single "through it all" out on all platforms now!
-
PINKPANTHERESSPinkPantheress is an English singer, songwriter and record producer.
-
Lambrini Girls
Fucking shit
-
DJ KridlokkKeikat: esa@allday.fi http://bitly.com/djkridlokkspotify
-
Pearly DropsPearly Drops
-
ibeIBE won The Voice Van Vlaanderen in 2019. Only 5 days after the finals IBE released his first single ‘Table Of Fools’, which was a massive hit. His follow up singles Control, Perfect Storm & Dark Maze share an equal big succes.
-
Geese
Geese play original music from different time periods. Rock, Jazz, Blues, Swing, Funk, Prog,
-
Antti Autio
Tie on maalattu maahan -levy 20.3.2026
-
Nick CaveAustralian singer and songwriter Nick Cave has proved to be one of the most enduring and influential talents to emerge from the post-punk era. In addition to being a remarkably consistent recording artist, his songs have been covered by everyone from Josh Groban, PJ Harvey, and Johnny Cash to Arctic Monkeys, Metallica, and Chelsea Wolfe, to name a few. However, his often dramatic, romantic, and/or harrowing tomes sound best on his own recordings. Accompanied by his ubiquitous backing band the Bad Seeds, Cave's style is inimitable as it ranges across a spectrum that includes noisy, clattering, but extremely musical rock -- equal parts mutant rockabilly, garage, indie, post-punk, and cabaret -- as well as striking romantic balladry and broken blues, sometimes all on the same recording (1986's Your Funeral, My Trial). Other early albums, in particular 1985's The Firstborn Is Dead, melded John Lee Hooker-esque stomp blues to unhinged, menacing post-punk. Later dates, including 1990's The Good Son, 1996's Murder Ballads, and 2013's Push the Sky Away tempered his ferocity in favor of moody soundscapes for his bent yet resonant storytelling. Still others, including 1997's The Boatman's Call, found him focusing his considerable talent on love songs, and 2019's Ghosteen was a minimalist but emotionally devastating meditation on grief and loss. Cave and his longtime colleague Warren Ellis (musical director for the Bad Seeds) are also award-winning film composers with more than a dozen scores to their credit, and they collaborated on 2021's sparse and atmospheric studio album Carnage. 2024's Wild God, with the Bad Seeds, returned to a more optimistic outlook. After goth pioneers the Birthday Party called it quits in 1983, singer/songwriter Nick Cave assembled the Bad Seeds, a post-punk supergroup featuring former Birthday Party guitarist Mick Harvey on drums, ex-Magazine bassist Barry Adamson, and Einstürzende Neubauten guitarist Blixa Bargeld. With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party. Cave also allowed his literary aspirations to come to the forefront; the lyrics are narrative prose, heavy on literary allusions and myth-making, and take some inspiration from Leonard Cohen. Cave's gloomy lyrics, dark musical arrangements, and deep baritone voice recall the albums of Scott Walker, which also obsess over death and love with a frightening passion. However, Cave brings a hefty amount of post-punk experimentalism to Walker's epic dark pop. Cave released his first album with the Bad Seeds, From Her to Eternity, in 1984, which contained a noteworthy cover of Elvis Presley's "In the Ghetto," foreshadowing much of Cave's style and subject matter on the follow-up The Firstborn Is Dead. Kicking Against the Pricks, an all-covers album, broke the band in England with the help of "The Singer," which hit number one on the U.K. independent charts. The album also strengthened Cave's reputation as an original interpreter and a vocal stylist of note. Following 1986's Your Funeral...My Trial, Cave took a two-year hiatus from recording -- partially to appear in Wim Wenders' 1987 film Wings of Desire -- and then returned with Tender Prey, which featured Cramps guitarist Kid Congo Powers and Cave's strongest vocal performance up to that point. Cave's productivity picked up immensely over the next two years after he kicked a heroin habit. He had two books (1988's King Ink, a collection of lyrics, plays, and prose, and 1989's And the Ass Saw the Angel, A novel) published; appeared in the 1989 Australian film Ghosts...Of the Civil Dead as a prisoner; recorded a soundtrack to the film with Harvey and Bargeld, and released 1990's The Good Son, his most relaxed, quiet album. Cave received his due as one of the leading figures in alternative rock when he was invited to perform on 1994's Lollapalooza tour to promote his Let Love In album. Early in 1996, he released Murder Ballads, a collection of songs about murder. Murder Ballads became Cave's most commercially successful album to date, and, with typical perversity, he followed it with the introspective and personal The Boatman's Call in early 1997. A spoken word release, Secret Life of the Love Song followed in 1999. Two years later, a rejuvenated Cave teamed up with the Bad Seeds once again for the piano-laden No More Shall We Part. Nocturama was released in 2003, and the double-album Abattoir Blues/The Lyre of Orpheus followed at the end of 2004. After touring in support of the album throughout 2005, Cave embarked on a new project called Grinderman with Bad Seeds members Warren Ellis, Martyn Casey, and Jim Sclavunos. The group's self-titled debut was released in 2007, the same year Cave was inducted into Australia's ARIA Hall of Fame. In 2008, Nick Cave & the Bad Seeds released Dig!!! Lazarus Dig!!! It was followed by a second Grinderman recording -- entitled Grinderman II -- followed by a world tour and the band's breakup, announced by Cave on-stage in December of 2011. Cave penned the screenplay for director John Hillcoat's 2012 bootlegging film Lawless, which also featured a score composed by Cave and Warren Ellis. The duo had previously collaborated on scores for The Proposition, The Road, The Assassination of Jesse James by the Coward Robert Ford, and Days of Grace. In February of 2013, Cave and a streamlined Bad Seeds broke their five-year silence with the release of Push the Sky Away. In 2014 Cave and Ellis scored French director David Oelhoffen's feature Loin des Hommes (Far from Men). The soundtrack was issued a year later when the film achieved a wider release. He was also the subject of and co-wrote the documentary drama 20,000 Days on Earth. In mid-2016, it was announced that Cave and the Bad Seeds would release a new album in September 2016, Skeleton Tree. A documentary about Cave and the making of Skeleton Tree, One More Time with Feeling, was scheduled for theatrical release the same week as the album. In May 2017, Mute Records issued Lovely Creatures: The Best of Nick Cave and the Bad Seeds, a three-CD/one-DVD set that collected Cave's career highlights from 1984 to 2014. Cave and the Bad Seeds returned in 2019 with Ghosteen, a double-album that closed out the group's trilogy with Push the Sky Away and Skeleton Tree. In 2020, as the COVID-19 pandemic forced Cave and the Bad Seeds to cancel their scheduled touring, Cave staged a concert in an empty hall, with him performing a career-spanning set accompanied only by his own piano. The performance was filmed and recorded, and the album Idiot Prayer: Nick Cave Alone at Alexandra Palace was released in November 2020. Two weeks later, Decca Records brought out L.I.T.A.N.I.E.S., the premiere recording of an operatic piece by composer Nicholas Lens with lyrics by Cave. In 2021, Cave and Ellis collaborated on the Grammy-nominated studio album Carnage, a spare and brooding set that relied on cinematic atmospheres and Cave's always intense lyrical presence. The following year saw the publication of Faith, Hope, and Carnage, a book featuring extensive conversations with journalist Sean O'Hagan. Wild God, the first album with the Bad Seeds in five years and a reflection of a happier emotional state, appeared in 2024. ~ Stephen Thomas Erlewine & Steve Huey, Rovi
-
Lykke LiLUCKY AGAIN OUT NOW
THE AFTERPARTY OUT MAY 8TH
-
Cabaret VoltaireCabaret Voltaire were an experimental music band which formed in Sheffield, England in 1973. They originally consisted of Stephen Mallinder (vocals, bass), Richard Kirk (guitar, keyboards, sound manipulation) and Chris Watson (sound manipulation, tapes). Watson left the group in 1981 and the band continued as a duo until their disbandment in 1994.
Hailing from Sheffield, England, Stephen Mallinder & Richard H. Kirk were the backbone of Cabaret Voltaire, and creators of many of the techniques that fueled the industrial and electronic genres for years. From the droning noise-punk of Nag Nag Nag to the sublime electronic pop of Easy Life, with industrial funk hits like Sensoria in between, the Cabs' career spanned 3 decades.
Many recent/current electronic artists owe a great deal of debt to Cabaret Voltaire's experimental beginnings, in particular Richard H Kirk's paranoid otherworldly samples, fused with gritty dark looped percussion. Kirk also had several solo outings, with his Sweet Exorcist incarnation opening the doors for Warp Records, in their "bleep" days that were the harbinger for the sonic experimentation of Aphex Twin, Autechre, The Black Dog and more.
The late 80s and early 90s saw Cabaret Voltaire take an increasingly pop-oriented bent in their music, but many tracks like Easy Life and later, Colours fused hooks with all the excitment of the burgeoning rave scene in the UK.
As well as working on his own aural experiments, original band member Chris Watson now works as a well-respected sound recordist, developing some innovative techniques for Natural History radio and TV, most recently (2006) for the BBC's Galapagos series.
-
ÓlgaSamsýning sem fjallar um afgerandi hlutverk kvenna í mótun íslenskrar listasenu á miklum umbreytingatímum níunda áratugs liðinnar aldar.
-
Malla
A performer at the festival.
-
Mum
Iceland pop experimentalists Múm were formed by Gunnar Örn Tynes, Örvar Þóreyjarson Smárason, and classically trained twin sisters Gyða and Kristín Anna Valtýsdóttir. Formed in 1997, the group met while working on a children's play. Smárason found his perception of music changed through hearing Aphex Twin and decided that he would abandon the guitar-based concepts of his prior bands. This was fine and dandy with his bandmates. Following a number of singles and remixes, the full-length Yesterday Was Dramatic -- Today Is OK was released in 2000 through TMT/Thule in Iceland and Tugboat in the U.K. Each of the band's four members was in their late teens when the record was released, hailed for its playful and imaginative use of all things musical and not so musical.
-
Ben KlockBerlin native Ben Klock is highly regarded for his powerful, expertly paced DJ sets as well as his stripped-down, tension-heavy techno productions. A key resident DJ at Berghain since early 2005, Klock has released much of his music through the iconic club's Ostgut Ton imprint, including the underground hits "Dawning" (with Marcel Dettmann) and "Subzero" as well as the influential 2009 full-length One. Known for performing marathon sets at the most state-of-the-art sound systems in the world, his near-constant work schedule has brought him to intimate clubs as well as festival stages. He's also contributed to numerous mix CD series and podcasts, and he was responsible for BBC Radio 1's Essential Mix of the Year in 2015. Additionally, Klock runs the no-nonsense minimal techno label Klockworks, which released its 34th record (by Klock and Fadi Mohem) in 2022. Klock first began to DJ at Berlin clubs during the mid-'90s, including Cookies and Tresor, where he primarily spun house music. He released his first EP, Clockworks, as Ben E. Clock in 1998. A more electro-influenced EP titled I ♥ You appeared in 2000, but he nearly quit DJing after becoming disinterested in the electroclash and minimal house scenes that were inescapable at the time. He returned with two singles on Ellen Allien's BPitch Control in 2003, then became one of the first residents at Berghain after it opened in 2004, reigniting his passion for nightlife. Continuing to release singles on BPitch Control and its Memo sublabel, Klock became one of the first artists to issue music through Berghain's Ostgut Ton label, beginning with 2006's "Dawning"/"Dead Man Watches the Clock," his first collaboration with fellow resident Marcel Dettmann. He also founded Klockworks in 2006, issuing his own productions at first, then later material by producers such as DVS1 and Trevino. 2009 proved to be Klock's breakthrough year due to the success of his Before One EP (particularly the track "Subzero") and debut album, One. Increasing his worldwide touring schedule, he remained active as a producer, releasing the 2010 EP Compression Session and remixing tracks by Depeche Mode, Martyn, Emptyset, and countless others. His first commercially released mix, Berghain 04, appeared in 2010, followed by Fabric 66 in 2012. "Dawning" was re-released in 2013, this time backed with "Dawning (Revisited)." Klock and Lucy released the ambient techno EP War Lullaby on Stroboscopic Artefacts in 2015. His contribution to BBC Radio 1's long-running weekly Essential Mix program was voted the best mix of the same year. Phantom Studies, a double EP by Dettmann and Klock, appeared in 2017. In 2019, "Subzero" was reissued as a stand-alone single, backed with "Coney Island," previously only available on the CD edition of One. Klockworks 34, a collaboration between Klock and Fadi Mohem, appeared in 2022. ~ Paul Simpson, Rovi
-
Dina Ögon
It is difficult to think of many other bands that exude as much sun and summer as the Swedish band Dina Ögon.
With their warm and organic sound that blends airy Nordic pop, soul, bossa nova, and psychedelic daydreams, the band has created the perfect soundtrack for cool summer drinks, longing glances, and beach sunsets.
However, it’s not just a particular sound and atmosphere that the band nails. The quartet from Stockholm also has a firm grip on good melodies and luxurious arrangements in beautifully swaying songs that evoke memories of both the Beach Boys, Fleetwood Mac, and old Motown hits transplanted into bright Swedish summer nights.
Despite the Nordic sound, the band also draws solid inspiration from music worldwide, with threads to Brazil, Turkey, Nigeria, and many other places. Even though they sing in Swedish, the band has gained recognition far beyond Sweden’s borders. Tyler, The Creator himself declared their song “Tombola 94” from their self-titled debut album to be his favorite song in 2022.
Dina Ögon released their new third album with the title “Orion in 2024 and have reached and played for bigger audiences than ever. -
Hannah Cohen
Hannah Cohen is a musician based in New York.
-
DJ Gigola
like gigolo, but Gigola
-
Anetha
Anetha is a French artist, DJ, producer, label manager, talent agency co-founder and a trained architect.
-
Patrick Mason
The Berlin based Techno & House DJ conquers dancefloors around the world with his infectious, highly energizing live hybrid sets, which takes the listener on a journey through sound!
-
Disclosure
Surrey brothers, Disclosure, effortlessly combine the 2-step garage rhythms and dubstep basslines of their locale with their own rich musical heritage of soul, jazz and 90s hip hop. Crafting their own lo-fi dream-dub sound, Disclosure released their d..
-
Bricknasty
An international artist from Ireland.
-
MARINA
MARINA returns transformed on PRINCESS OF POWER — a euphoric, high-energy exploration of healing, empowerment, and self-reclamation. Written during a period of deep personal reflection, the album marks a turning point for the platinum-selling artist. Where 2021’s Ancient Dreams in a Modern Land looked outward at a fractured world, PRINCESS OF POWER turns inward, embracing vulnerability as strength, turning pain into power and the radical optimism of love.
Now releasing independently through her own label, Queenie Records, in partnership with BMG, MARINA sheds old expectations and fully steps into her own. The album pulses with disco-lit electro pop and lyrical declarations of freedom, feminine energy, and love. Tracks like “BUTTERFLY,” “CUPID’S GIRL,” and “CUNTISSIMO” reflect a woman reborn and thriving on her own terms.
MARINA burst on to the scene in 2009, and has since released five acclaimed albums including Electra Heart (2012), which debuted at Number 1 on the UK’s Official Charts, FROOT (2015), Love + Fear (2019), which debuted Top 5 in the UK and Top 10 on the U.S. Albums chart, and most recently Ancient Dreams in a Modern Land (2021), which featured the Ivor Novello nominated hit “Man's World.”
With PRINCESS OF POWER, MARINA isn’t just making music - she’s building a future rooted in authenticity, creativity, and courage. It’s MARINA as you’ve never seen her, yet never more herself.
