Sziget Festival 2026 @ Sziget Festival

Sziget Festival 2026 @ Sziget Festival

Sziget Festival, Iii. District, Óbudai-sziget, 1033 Budapest Directions

Tue 11.08.2026 00:00

Sziget Festival 2026 at Sziget Festival at 2026-08-11

Performers

  • Florence + The Machine
    Florence + The Machine

    Florence & The Machine Fanmail

    PO Box 79632

    London

    United Kingdom

  • Lewis Capaldi
    Lewis Capaldi

    Lewis Marc Capaldi is a Scottish singer-songwriter and musician. He was nominated for the Critics' Choice Award at the 2019 Brit Awards. In March 2019, his single "Someone You Loved" topped the UK Singles Chart where it remained for seven weeks, and in November 2019, it reached number one on the US Billboard Hot 100; it was nominated at the 62nd Annual Grammy Awards for Song of the Year and won the 2020 Brit Award for Song of the Year. Capaldi also won the 2020 Brit Award for Best New Artist.

  • Sombr
    Sombr

    listen to my latest single "through it all" out on all platforms now!

  • bbno$
    bbno$

    No description provided for artist.

  • Biffy Clyro
    Biffy Clyro
    Since Teenage Joans first burst onto the stage in late 2018, they have left their shining charisma and punk spirit in every room they play. Not only does this two piece pop-punk powerhouse play beautifully crafted songs that have audiences singing along the first time they hear them, but the songs are as real and important as they are unapologetic.

    Going from strength to strength, Teenage Joans have already shared stages with Foo Fighters, Sum 41, Sleeing With Sirens, and Amy Shark. In their massive debut year, Teenage Joans performed at Laneway Festival 2019 as part of the Girls Rock! Showcase, and since have played hugely impactful sets at SXSW 23, Bigsound 22, and Groovin The Moo 23.

    Before taking out the crown in triple j's Unearthed High 2020, Teenage Joans were voted ‘South Australian Best Live Act’ in the 2019 National Live Music Awards, and currently hold the title of South Australias ‘Best Punk Artist’ since 2021. They also hold the record for most awards in one night at the South Australian Music Awards, bringing home a whopping 7 awards in the 2021 ceremony.

    Teenage Joans have undoubtedly followed up their award winning EP “Taste Of Me” with their stunning ARIA nominated album “The Rot That Grows Inside My Chest”. The debut is “one that reflects both creative and professional growth with compelling dexterity” (The Soundcheck).
  • Ashnikko
    Ashnikko

    itty bitty teeny tiny <3

  • Tash Sultana
    Tash Sultana

    Tash Sultana has never followed the script. The multi-instrumentalist, engineer, producer, and entrepreneur has built a groundbreaking career defined by creativity, authenticity, and relentless determination.

    Tash continues to evolve as a genre-blurring force in music, and their 2026 endeavors reflect both resilience and creative momentum. Building on the success of the 2025 “Return to the Roots” tour, Sultana has remained active on the global stage with an extensive run of 2026 festival appearances and headlining shows across North America, including major events like BottleRock Napa Valley and Bonnaroo, alongside theater dates in cities such as Boston, New York, and Montreal.

    In parallel with touring, Sultana has been teasing new music, hinting that a fresh album is in development, signaling a new chapter in their sonic experimentation and self-produced artistry.

    Having amassed billions of streams, headlining major festivals, sold-out arena tours across the globe, and performances to hundreds of thousands of fans worldwide, Tash stands as one of Australia’s most influential and celebrated artists.

  • Underworld
    Underworld

    Underworld – the British duo Karl Hyde and Rick Smith – have been one of the most pioneering and influential electronic acts in the world for more than twenty years.

  • Dom Dolla
    Dom Dolla

    Forever w/ Kid Cudi ⛓️

    domdollakidcudi.lnk.to/Forever

  • Dijon
    Dijon

    RA: Resident Advisor

  • Paris Paloma
    Paris Paloma

    The official facebook page for Paris Paloma

    https://linktr.ee/parispaloma

  • Whomadewho
    Whomadewho

    WhoMadeWho is a Copenhagen-based experimental pop trio, who formed in 2003. The band consists of jazz guitarist Jeppe Kjellberg, drummer Tomas Barfod and singer/bassist Tomas Høffding.

  • Charlotte Cardin
    Charlotte Cardin

    Born in Montreal and based in Paris for the past few years, Charlotte Cardin shines on the global stage thanks to her striking authenticity and emotional depth. Named Billboard’s Global Woman of the Year in 2025, the Canadian singer-songwriter has amassed hundreds of millions of streams worldwide, confirming her remarkable international reach. She has graced some of the world’s most renowned stages — from Bonnaroo to Festival d’Été de Québec to Les Vieilles Charrues — earning praise from major outlets such as Harper’s BAZAAR, W Magazine, TF1, and Le Parisien.

    In late 2024, following a triumphant sold-out show at the Zénith de Paris and a standout performance on Star Academy, Charlotte was thrust into the spotlight with the single Feel Good. The song quickly became a true phenomenon, standing out as the most-played track on French radio and television. It sustained over three million weekly streams for several weeks and earned Platinum certification.

    Released in 2023, Charlotte Cardin’s second album, 99 Nights, marked a major turning point in her career. The project brought her international visibility, with a billboard in Times Square, a dedicated Apple Music 1 radio show, a COLORS performance, and a debut at #9 on Spotify’s Global Debut Chart. In Canada, the album was widely acclaimed, earning JUNO Awards for Album of the Year and Pop Album of the Year.

    Charlotte first broke through in 2021 with Phoenix, a critically acclaimed debut that garnered six JUNO Award nominations and four wins, including Album of the Year and Single of the Year for Meaningless. Certified Platinum in Canada, Phoenix made Charlotte the first Canadian artist to reach the top of the Canadian Billboard chart since Céline Dion in 2016.

    Following the Big Boy EP and Main Girl EP, Cardin emerged as an international phenomenon with her 2021 debut Phoenix. At the 2022 JUNO Awards, the LP took home “Album of the Year” and “Pop Album of the Year,” while Meaningless garnered “Single of the Year” and she personally received “Artist of the Year.” Inciting unanimous tastemaker applause, HYPEBAE christened her “one of Canada’s brightest young talents.” Following sold-out headline dates and powerhouse turns at Bonnaroo and Festival d’Été de Québec, Cardin topped the bill at Osheaga in 2021, marking a momentous Montréal homecoming.

  • Joris Voorn
    Joris Voorn

    Joris Voorn is a producer and DJ from Rotterdam. Raised in a musical family, music became a big part of his life from an early age. In about 1995, electronic music caught his attention for the first time. Getting deeper into this music as he started DJing in 1997, Joris developed an interest in techno and house. He started thinking about making his own music and bought the versatile MC-303 groovebox to experiment with synth and drumloops.

    At the end of 2000, Joris started building a small studio to produce his own output - this led to his first release, muted trax pt. 1, on Keynote. This first EP was quite a success and was played Carl Craig, Laurent Garnier, DJ Rush, Technasia and many more. Since then, Joris has released EPs on various labels such as Keynote, Sound Architecture, Line and Wolfskuil.

    In 2003, Lost memories Pt.1 was released on Technasia's SINO label, and was followed up by Lost memories Pt.2 which featured a track called Incident. It gained success was licensed for several big-name DJ mix CDs.

    In October 2004 Joris' debut CD album called "Future History" was released on Sino, containing 20 diverse tracks that were made over his first few years of making electronic music. The album was very well received by national newspapers and international dance magazines.

    Summer 2005, and Joris' new personal outlet called green saw the light of day. A dedicated mind was released as a first strong EP. He has also been working on his debut DJ mix CD for the Fuse club in Belgium. After Dave Clarke, DJ Hell and Technasia, Fuse now presents Joris Voorn to mix part 4 tracks of timeless techno sic mixed with the help of the ableton live for its endless mixing and editing possiblites.

  • Jazzy
    Jazzy

    Meet Jazmine “JAZZY” Bailey, a breath of fresh air hailing from LA, California. Entering the music scene from a chance intro w/ R&B Sensation Chris Brown. Her intro to Brown led her to an opportunity to work with Actor/Comedian/Singer-Songwriter Jamie Foxx. Foxx signed JAZZY to his music production company in 2005, making her&her writing partner his first signee. Releasing her debut album,” OhJazzy” in 2007. In 2008 JAZZY toured w/ Melanie Fiona & Grammy Award-winning hip hop star Kanye West on his “Glow in The Dark” Tour. Upon return, JAZZY released her successful mixtape “Beauty and The Beat” in 2010. Followed up by a remake album from her favorite female legends titled “Letters To A King”, following that was the release of "Boomerang” in 2013. JAZZY has worked with various artists like Dom Kennedy, JAZZY was featured on the singles “South Central Love”, as well as SchoolBoy Q providing BGVs on his single “Collard Greens”, JAZZY most recently released three singles titled “Let's Leave”, “On&On”, and “Let’s Go” produced by Iman Omari. Spending all of 2019 some of 2021&2022 singing w/Kanye West and the Sunday Service choir. JAZZY is back in the studio working on a 2023 release.

  • Bad Nerves
    Bad Nerves

    jazz band from skid row

    bobby bird

    will power

    jon poulton

    sam thompson

    george berry

  • Sara Landry
    Sara Landry

    High Priestess of Ableton

  • Kim Dracula
    Kim Dracula
    The world of VOWWS has always been shrouded in mystery and darkness. That’s just the default setting of Australian-born, LA-based duo Matt James (vocals/guitars) and Rizz (vocals/keyboards). It’s how things have always been, it’s how things are, and it’s incredibly likely that that’s how they’ll always be. It should be no surprise, then, that their new album I’ll Fill Your House With An Army is suitably bleak. But don’t confuse that desolate sonic aesthetic for only being inspired by the darker things in life. There have always been glimmers and glimpses of light in their songs, whether on their 2015 full-length debut, The Great Sun or 2018’s Under The World, but the shadows have always been pretty opaque, making it hard for that light to break through. It struggles on this record, too. At the same time, however, it seems to flicker a bit brighter, and for a little longer.

    “We definitely look at all the dark things in life and the world,” admits Matt. “I consider it my job to take a pretty unfiltered view of what's happening in the world, and then that goes through us and our filter, and comes back out as what whatever the music is. Lyrically, we tend not to say anything literally – there’s more of a surrealist and subversive element to it – so the world definitely looks like there's something wrong with it throughout our music and our worldview, but there's also definitely a beauty and an optimism in there as well. We try and find beauty in a lot of things, and try to present that in the framework of a broken world – whether that's an internal one or an external one.”

    That conflation of internal and external worlds is what has always given VOWWS their unique and distinctive edge. Because rather than staring into the abyss, they’re already in it, staring outwards, waiting for the doom to catch up to them rather than trying to avoid it. That combination of harrowing, heartfelt and hopeful – all three dancing seductively with each other – has garnered the duo plenty of attention since their inception. Early single “Losing Myself In You” featured, and was co-written with, nu-wave legend Gary Numan, a remix of Under The World’s “Structure Of Love” featured guest vocals from Deftones’ Chino Moreno, and 2022 single “WAIT” saw Chelsea Wolfe add her voice to the mix. Korn, A Perfect Circle and Billy Corgan also count themselves as fans, and the pair headed our with Alice In Chains founder and guitarist Jerry Cantrell on a UK and European tour.

    It’s an exciting flurry of activity that comes after what James admits was a “painful” period of time following the release of that second album. Because not too long after its release, of course, the world came to a standstill. As it did for most people – as well as most bands – it had a profound effect on VOWWS. Not only did the band not play any shows for two years – “Our first show back was with Deftones on the tour with them,” remembers Matt, “and I was terrified, because I just thought ‘I can't be sure that I can actually do this anymore.’” – but the extended period of time off caused them to reshape and rethink the new music they’d been working on. By 2022 they had made a full 20-track record, but they weren’t happy with it, so went back to the drawing board.
    “Rizz is like the canary in the coalmine for us,” explains Matt. “She can't kid herself into feeling good about something she doesn't feel good about, whereas I can. So, frustratingly for me, she was like 'This isn't good enough.' I wanted to just mix it a bit more and paper over the cracks, but she was like 'No, it's already been this long, it doesn't matter if it takes a bit longer.'”

    And so the band enlisted the help of A Perfect Circle’s Billy Howerdel, and they started crafting what would eventually become I’ll Fill Your House With An Army. Rizz was right. From the moment the album begins with the dour insistent march of “Blood’s On Fire”, it’s clear that it was well worth the extra time. The song – which features Josh Freese behind the drum kit – is a tug of war between lightness and darkness, Rizz and Matt’s vocals pulling each other both further into that void while also trying to not get swallowed whole by it. That conflict rages across the record’s 11 tracks, whether that’s on the gloomy, creepy snarl of “SHUDDER” (which, along with “Silhouette” and “Re-Animator”, also has Freese on drums, and features Korn guitarist James ‘Munky’ Shaffer), the stark, ice-cold emotion of “Pulls Me Apart” or the tender, dreamy tumble of “Hurt You”. Despite the push and pull nature of these songs, though, those extremes exist within each other, forever entwined, never quite separate. Listen, for instance, to how “Re-Animator” soars in its second half as it attempts to escape itself, to how “Casualty” flits between intense, Vantablack grooves and sun-filled ethereal soundscapes, to how the haunted love of “I Never Left” – possibly the most vulnerable, tender song the band have ever committed to tape – swerves between eerie and soothing, beautiful and barren, demonic and sweet.

    That VOWWS did decide, in the end, to take their time with this album, only ended up serving them – and the record – incredibly well. Though racked with self-doubt and uncertainty about everything, the pair pushed through the darkness and emerged if not entirely in the light, then at least with it glowing in the distance. Of course, it wouldn’t be VOWWS if it remained within reach, and as “Waterline” – an unsettling, demonic slow dance of a finale – comes to an end, it fades gently but powerfully, trapping the listener in the void, proving that the hard work and the long slog and battle against themselves were all worth it, and ultimately resulted in a better record.
    “We're proud of ourselves for getting there – and having the faith to get there in the end,” says Matt, “because there was a lot of doubt. But pushing through that doubt was fully part of the process. We both just care about this more than anything else, because we think it's important. We think it's something special and we want to share it with the world. But we also want to create a world that people can't get anywhere else, and bring them into it – and lose ourselves in it, too. It's kind of holistic if you do it right, I think.”

    One listen to I’ll Fill Your House With An Army and it’s clear that VOWWS have, indeed, done it right. One listen and you’re immediately drawn into their world, left gasping for air, left overwhelmed by its force. And though you probably know you should escape, you’re also very happy being lost there, letting your eyes adjust to those brief, bright moments of light, because you finally realise that it’s your world, too, and there’s so much comfort in that.
  • Cassia
    Cassia

    our new album 'everyone, outside' is out now : https://bfan.link/everyone-outside

    Grab tickets to our tour here- https://laylo.com/wearecassia/m/aJ10u

  • Richie Hawtin
    Richie Hawtin

    RICHIE HAWTIN has made his mark on electronic music by being both inventive and innovative. With almost twenty years of DJ experience, Hawtin has headlined some of the most prestigious festivals and events in club culture to date and continues to define rather than follow musical trends. His career takes him all over the world with tour dates in over 25 nations on average each year.

  • Lambrini Girls
    Lambrini Girls

    Fucking shit

  • Pan Pot
    Pan Pot

    A pan-pot is a simple, workday knob, given to side-to-side flip-flopping and not much else. Pan-Pot, on the other hand, are a brilliant multi-dimensional Berlin duo currently twisting house and techno fans into rapturous fits. In just a few short years, Pan-Pot—comprised of Tassilo Ippenberger and Thomas Benedix—have developed a dominate presence amongst the top tier of electronic dance music, with an ascension paralleling the rise of their native label, mobilee records.

    After booking Anja Schneider for an infamously ill-fated party in 2005, the duo established a connection with Schneider’s then recently formed imprint and within weeks had released the Popy and Caste EP on mobilee—their first release and the label’s second. Graduates of Berlin’s SAE, their initial musical efforts placed a primacy on integrating electronic experimentation with minimal stylings while simultaneously establishing the ominous, murky sounds that have since become synonymous with their name. The next few years saw the release of a steady stream of original tracks and remixes on both mobilee and Einmaleins, each demonstrating the duo’s commitment to precise, undulating and kinetic grooves accompanied by a steady expansion of their sonic palate.

    The defining moment of their career, however, was the release of their debut artist album, Pan-O-Rama. The first artist album to be released on mobilee, the aptly named Pan-O-Rama provided a stunning 360-degree tour of techno at its most twisted, balancing somber atmospherics with an impeccable lightness of touch. Serving as a playground for their experimental leanings, the album was a definitive statement of Pan-Pot’s past, present, and future: an affirmation of the possibility of a wider sonic spectrum that suggested a move towards stripped-down techno while simultaneously hinting towards a newly developed sense of melody.

    When not in the studio writing original material or putting their unique spin on tracks by a myriad of artists, the bad-boys of impassioned, pitch-black techno can be found on the road touring at a near ceaseless level. Their dance floor oriented DJ sets see them playing back to back and are unconstrained by boundaries as they effortlessly transition between techno, house and everything in between, demonstrating an immaculate understanding of the audience’s wants and needs.

    Their willingness to expand the components of their productions while staying firmly rooted in what they do best—colossal, haunting techno tracks overflowing with noise and static, throbbing bass lines, and epic builds that manage to be both tasteful and restrained—is only part of what differentiates Pan-Pot from the hordes of other techno producers currently flooding the airwaves. They may name themselves after a piece of gear, but Pan-Pot’s music is ultimately about moving bodies, not knobs, all the while giving way to an unprecedented degree of dynamism on dance floors around the world.

  • Antony Szmierek
    Antony Szmierek

    An international artist from the UK.

  • Sylvie Kreusch
    Sylvie Kreusch

    Big bold emotions serve as the main conductor for Sylvie Kreusch’s adventurous album Comic Trip. The Belgian artist abandons her lofty tenure as Belgium’s spectre of the night, trading in her raging red locks for a new look as a dashing blonde. Finally in the driver’s seat, she embarks on a horizon-chasing voyage where all the fruits of life are savored and surveyed with wide eyes and luscious lips. With stylistic nods to acts like The B-52’s and Stereolab, the title track sounds like the pop music version of a sixties comic, brimming with spectacle, intrigue and euphoria.

  • ALT BLK ERA
    ALT BLK ERA

    music@altblkera.com

    MOBO 2025 Award winners, ALT BLK ERA hit the UK No.1 spot in the Rock & Metal chart with their debut album 'Rave Immortal'. The genre-smashing sister duo Nyrobi (21) and Chaya (17) are busy redefining music by fusing Rock with  Alt Pop, DnB, Rap and Electronic beats.

    Hailed as ‘Ones to Watch 2025’ by BBC Introducing, these twice-MOBO Award nominated and Heavy Music Award nominated (2024) artists have stormed the UK music scene with standout performances at iconic festivals that include Glastonbury, Download Festival, and Reading & Leeds.

    The sisters have also garnered rave reviews from the likes of NME, REVOLVER and Kerrang! Magazine.

    The Brit Awards have spotlighted ALT BLK ERA across their social platforms and their musicand videos have lit up MTV, TV, radio, and Spotify editorial playlists.

    Beyond the music, they advocate for hidden disability awareness and inclusivity in the music industry, inspired by Nyrobi’s personal journey - a key theme of Rave Immortal.

    Their live show is an unforgettable experience - a high-energy showcase that defies convention and leaves their audiences demanding more.

  • Brooke Combe
    Brooke Combe

    "I can walk into those rooms full of established male musicians and not apologise for being there. Fuck that!” At 23 years of age, Scottish newcomer Brooke Combe is ready to call time on the accepted order of things, interrupting indie with an unapologetic attitude and a formidable roster of songs. A collection she has honed through a year of relentless gigging, each track on her forthcoming mixtape has its heart in a long lineage of funk and soul, a retro sound that has earnt her endorsement from the likes of the BBC, Rolling Stone UK, The Skinny and NME. It's a style that could easily come across as mere pastiche, but from the very first note of her rich vocal, there is no doubt that Brooke is carving her own path.

    “For me, it’s about getting every tune I have done so far out of my head,” explains Combe. “This mixtape is a little bit about the naivety of my adolescent years, but it’s also a bit of a 'who is Brooke Combe', showing people all the different sides to my music. So many people have been coming to the shows now, they've been consistent and loyal. I want them to have what they've been hearing live and to see the development so far.”

  • Sisi
    Sisi

    RA: Resident Advisor

  • ANNA
    ANNA

    Management: anna@oneofus.management

    World: martje@primarytalent.com

    Americas: jon@liaisonartists.com

    Brazil: bookings@entourage.com.br

  • Zomboy
    Zomboy

    Zomboy is an electronica producer and songwriter hailing from Penzance, in the United Kingdom who was born on the 1st of June 1989. He is known for being one of the most prolific remixers around and has released six E.Ps and five singles of his own music.

  • Koven
    Koven

    Music duo based in London

    instagram.com/kovenuk

    twitter.com/kovenuk

    youtube.com/kovenukmusic

  • Marsh
    Marsh

    New EP 'ARIA' is out now!

    http://marsh.komi.io

    Worldwide Bookings: marsh@caa.com

  • Dressed Like Boys
    Dressed Like Boys

    Jelle Denturck is the singer and frontman of DIRK., a popular Belgian indie band that – in his own words – ‘has been making a fair amount of noise these past few years’. But in fact he thinks he’s a real softie, with a record collection full of melancholic indie pop and rock music: Bowie, Beatles, Lou Reed, Elton John, Nina Simone, Anohni & The Johnsons, Sufjan Stevens, Perfume Genius, Wilco, Tobias Tesso Jr. … clearly there’s a side to Denturck that doesn’t easily reveal itself in DIRK.’s music.

    It's about time, Denturck feels. As Dressed Like Boys he wanted to write songs and make a record all of his own. Not to turn it into an ego trip, but by way of self-examination. Denturck sings about the search for personal freedom, about his dearest friends, his homosexuality and relationship, but doesn’t shy away from uncomfortable topics like gay bashing either. It doesn’t get more personal and fragile than this.

  • Max Baby
    Max Baby

    Max Baby lives by night, navigating between trash fiction and reality.

    Baby is one of those perfectionist artists who master their craft through relentless effort, by doing and redoing, never giving up. As a synesthetic self-taught multi-instrumentalist, he practices alone, writes his first songs and locked himself in the studio, year and year, emerging at night like a modern-day dandy, as sociable as he is solitary; an ultra-connected nerd who has built his own corridor between two worlds.

    Debut EP, ‘OUT OF CONTROL, INTO THE WALL’, out now.

  • Eosine
    Eosine

    Sometimes music conjures up memories that don't seem quite your own. The images appear too distant, the sounds too faint. With her quartet Eosine, Elena Lacroix has discovered a way to capture and preserve these nostalgic flashes in sound. Inspired by the luminous figures of early shoegaze, My Bloody Valentine and Ride, EPs such as ‘Coralline’ (2023) and last year's ‘Liminal’ continue a rich tradition of ethereal sounds that encapsulated the spirit of an entire generation three decades ago. Dream pop with progressive song structures and playful distortions intertwined with ghostly vocals define this sound signature, while yesterday and today fall easily into each other's arms. Because, despite all the longing and the mists of heady memories, this music points with great confidence to the sensual pleasures of the here and now – not least through itself. Between ecstasy and disillusionment, the band has created a deeply contemporary sound that fans of Whispering Sons, Lush and Slowdive will enjoy for years to come.

  • TDJ
    TDJ
  • PALES
    PALES

    '𝗖𝗥𝗨𝗦𝗛' : NEW EP OUT NOW ❤️‍🔥

  • Luke Black
    Luke Black
    Luke’s unique brand of indie-techno-pop has won him the title of the ‘Serbian pop alchemist’ in the eyes of his domestic media, and internationally he’s proving to be one of his country’s most sought after artists. In the last 12 months he’s performed both a sold-out tour in China and created a techno-opera style show in Berlin’s Berghain, the world’s most famous nightclub for electronic music. Creating fresh crossover melodies, Luke uses classic pop influences as his canvas which he then paints over with experimental, electronic and indie sounds. This reflects the broad spectrum of his influences which include Queen, Elton John, Stromae, Lady Gaga, Maria Callas, and Eartha Kitt. Luke is driven to shape his own destiny - working tirelessly to create his music which is, at its heart, authentic and creative with storytelling wrapped in cinematic sounds.
  • Twenty One Pilots
    Twenty One Pilots

    One of the best music shows you can see. Ohio musicians Tyler Joseph and Josh Dun have redefined live performance in just two years. In a short time, they have become leading representatives of the alternative scene, one of the most innovative and influential bands of the last decade. Get your masks, hoods, colored tape, body paint, makeup, and especially your vocal cords ready. Whether you've fallen head over heels for their world or are new to their work, their breathtaking show will captivate everyone and turn you into a fan in a matter of minutes. Twenty One Pilots have been returning to the Czech Republic regularly since their first stop in 2016. Symbolically, ten years after their first concert in Prague and four years after their debut at Colours, they are coming to Ostrava to conclude the story they began telling ten years ago. Thanks to their anthems, which explore personal struggles, resilience, and hope, they have built a deeply devoted community of fans who perceive their music not only as entertainment but as a lifeline. Their breakthrough came with the Grammy-winning single Stressed Out and the multi-platinum album Blurryface, which introduced the world to their signature blend of energetic performances and honest storytelling. The follow-up albums Trench, Scaled and Icy, Clancy, and Breach further expanded their creative vision and showed a band that is not afraid of evolution but remains true to its core message of connection and authenticity. Colours of Ostrava may be the last chance to see the band live for a long time. Don't miss this opportunity!

  • u.r.trax
    u.r.trax

    DJ and Producer from Paris, France.