Performers
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Kings Of Leon
Since their debut in 2003, Kings of Leon (Caleb (guitar/vocals), Nathan (drums), Jared (bass) and Matthew Followill (guitar)) has released eight albums (Youth & Young Manhood (2003), Aha Shake Heartbreak (2004), Because of the Times (2007), Only by the Night (2008), Come Around Sundown (2010), Mechanical Bull (2013), WALLS (2016), Since their debut in 2003, Kings of Leon (Caleb (guitar/vocals), Nathan (drums), Jared (bass) and Matthew Followill (guitar)) has released nine albums (Youth & Young Manhood (2003), Aha Shake Heartbreak (2004), Because of the Times (2007), Only by the Night (2008), Come Around Sundown (2010), Mechanical Bull (2013), WALLS (2016), When You See Yourself (2021), Can We Please Have Fun (2024). The multi-platinum selling band has had five singles on the Billboard Hot 100 chart, all seven of their studio albums on Billboard’s Top 200 list and two singles that reached #1 on Modern Rock radio. With the release of WALLS, the band garnered their first-ever number one album debut on the Billboard Top 200. In addition, they have had eight Grammy Nominations, three Grammy Award wins, three NME Awards, two Brit Awards, and one Juno Award. They have toured all over the world, playing at top venues and headlining major festivals such as Bonnaroo, Lollapalooza, Austin City Limits, and Glastonbury.
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Cardinals
Cardinals start as a joke between two sixteen-year-olds in a sleepy fishing town on the southern coast of Ireland. A whole joke-taken-to-heart later and their difference is marked by an early immersion in Cork’s live music scene, ‘we wanted to juxtapose ourselves,’ says frontman Euan Manning, ‘we have pop-leaning influences and didn’t want to shy away from that.’ Now barely twenty, the six-piece are next in an Irish line changing the sound of alternative music.
Blending Ireland’s musical beating heart with a swell of contemporary frisson, the six-piece are tied to making music they enjoy whilst being perpetually kept outside of their comfort zone. The result is an eclectic gothic amalgam of shoegaze, Irish trad folk, and rock which incorporates 60s Wall of Sound elements for a punk-inflected noise that ‘wants to be warm pop.’ Underpinning this trademark friction is a soft narrative arc which chases a stark vulnerability, ‘I’ve heard music and seen films and somehow felt less alone,’ says Euan, ‘if we can do that for someone else, then that’s cool in my books.’
