Dry Cleaning

Dry Cleaning

Curraghmore House, Portlaw, Portlaw Directions

Fri 31.07.2026 19:00

Each ticket purchased allows 1 Adult (Over 21) and up to 2 children aged 12 and under access into the designated Family Campsite. Those wishing to stay in the Family Campsite must have a Family Weekend ticket and must be accompanied by children 12 years or younger. No single or groups of adults without children will be admitted entry. The Family campsite is a restricted space and therefore must be reserved solely for families with children. Over 21's - ID Required.

Performers

  • Dry Cleaning
    Dry Cleaning

    As soon as Dry Cleaning finished their debut album New Long Leg – critically acclaimed across the board and number four in the UK album charts – they immediately set about moving fowards. Having already started writing their second record before their first was released, they proposed to producer John Parish that they spend twice as much time on the follow-up, Stumpwork.

    Listen to the album and you can feel that increased boldness - vocals which coil tightly around deft and complex riffs, great meshes of instrumental texture and the willingness to launch into full-on abstraction. It is a heady mix that is entirely Dry Cleaning’s own, distinguishing from their contemporaries. “We felt more confident,” says guitarist Tom Dowse. “We could see the bigger picture and knew where to focus our energy more efficiently.”

    Ultimately, what defines Dry Cleaning’s second album is the breadth of its scope. Their music is bolder and more expansive.

  • Disclosure
    Disclosure

    Surrey brothers, Disclosure, effortlessly combine the 2-step garage rhythms and dubstep basslines of their locale with their own rich musical heritage of soul, jazz and 90s hip hop. Crafting their own lo-fi dream-dub sound, Disclosure released their d..

  • Chet Faker
    Chet Faker
    Australian-born vocalist, songwriter and producer Chet Faker first endeared himself to a devoted international following with his haunting cover of Blackstreet’s “No Diggity”, which catapulted him into the spotlight in 2011 and featured on his debut EP, Thinking In Textures. He followed that up with a much-lauded collaborative EP with Flume and his 2014 platinum-selling debut album Built on Glass, which cemented him as a world-class talent and earned him a slew of ARIA Awards. In the years since, he's continued to build a critically acclaimed discography – including 2021 album Hotel Surrender and multiple releases under his birth name Nick Murphy – and has toured the world over playing sold out headline shows and stages including Coachella, Lollapalooza and countless more. In a story of constant reinvention,  his upcoming album A Love For Strangers – featuring new singles "Far Side of the Moon", "Can You Swim?" and "This Time For Real" – is shimmering proof that this evolution is far from over.
  • Mogwai
    Mogwai

    Mogwai formed in 1995 in Glasgow. The band consists of Stuart Braithwaite (guitar, vocals), Barry Burns (guitar, piano, synthesizer, vocals), Dominic Aitchison (bass guitar) and Martin Bulloch (drums). Since 1997, the band have released ten studio albums, with their most recent, 2021’s As The Love Continues, being a commercial and critical success, reaching number 1 on the Official UK Album Charts, amassing a Mercury Prize nomination and winning the Scottish Album of the Year award.

    The band have also contributed to and written scores for projects with Amazon Prime and Apple TV+. Earlier this year, it was announced that Blazing Griffin, Adler Entertainment, Rock Action Records and Screen Scotland had completed post-production of Mogwai: If The Stars Had A Sound, a first documentary about the band, directed by longtime collaborator Antony Crook. The documentary had its World Premiere at South by Southwest (SXSW) in Austin, Texas, in March 2024 and is currently being shown at film festivals across the world.

    Mogwai have recently been in the studio recording new music.

  • Pulp
    Pulp

    Formed 1978 in Sheffield, England and originally called "Arabacus Pulp", Pulp achieved sudden success some thirteen years after their formation and became known during the Britpop era as much for their music as for frontman Jarvis Cocker's antics (notably conducting a stage invasion during Michael Jackson's performance of Earth Song at the 1996 BRIT Awards). The band has gone through several changes, with the best known and most stable lineup being Cocker, keyboardist Candida Doyle (the longest tenured member aside from Cocker, joining in 1984), bassist Steve Mackey, drummer Nick Banks, guitarist/violinist Russell Senior and guitarist Mark Webber.

    Achieving little success off the back of a Peel session in 1981, Pulp were finally able to release their debut album, It, in 1983. This album and its 1986 follow-up, Freaks, showcased a Pulp keen on Nick Drake (notably on the single My Lighthouse), with strong folk roots and little sign of the tendencies for storytelling and acid house music which would eventually bring forth success. After the release and commercial flop of Freaks, the band disbanded for a year, though formed a year later to record a third album, Separations. Delayed for three years after its recording, Separations showed Cocker's increasing exposure to acid house, featuring multiple synths, and a hit single, My Legendary Girlfriend, which helped Pulp's career start to rocket.

    Their next single, Babies, which would eventually feature on 1994's commercial breakthrough His 'n' Hers, was the first example of the Pulp sound most listeners associate with the band--cheap synths, rolling guitars, and Cocker's deadpan vocals telling a story. His 'n' Hers, in sound, was lumped in with the Britpop movement of the time, receiving commercial as well as critical acclaim. However, it was the 1995 single Common People, awash with Britpop guitars, catchy keyboard lines and that trademark Cocker vocal performance, which finally saw them become known, eventually charting at number 2 in the UK charts. A successful appearance at Glastonbury that summer cemented their fame, and their success was subsequently confirmed by the album Different Class, which arrived at the peak of the Britpop movement and featured the UK hits Common People, Disco 2000 and Sorted for E's & Wizz.

    Their last two albums, 1998's darker This Is Hardcore, an album that marked the end of the Britpop era, and 2001's more downbeat We Love Life were commercial successes, but Pulp were no longer as famous or as trendy as they had been in the height of Britpop, and following their curation of a music festival, Auto, in 2002, the band announced that they would be embarking on an "indefinite hiatus". Cocker has since announced that he is to embark on a solo career, making an appearence as the lead singer of the fictonal band The Wyrd Sisters in the fourth Harry Potter film, calling time on Pulp.

    In 2003 former Pulp singer Jarvis Cocker and British electronica artist Jason Buckle started a side project called Relaxed Muscle. This began as "a laugh" between Pulp rehearsals, but developed once Jarvis realised he could have more fun with a new alter ego than he did as the public figure who could leap on stage to terrify Michael Jackson. In early 2003 Relaxed Muscle began playing gigs. They maintained anonymity by assuming the alter-egos "Darren Spooner" and "Wayne Marsden", respectively. Billing themselves as "the sound of young Doncaster", "Darren" claimed to have met "Wayne" while doing community service ("planting flowers") for burglary. Their fictional criminality fit the project well, with their songs about sex, gambling and domestic violence complementing the depraved character of Relaxed Muscle.

    Cocker’s transformation into a violent, wife-beating drunk is ironic when you consider his trademark bookish, slightly effeminate image. When guesting on the celebrity television quiz Shooting Stars, Bob Mortimer jokingly called Cocker "the weed in tweed" and insisted that when throwing mini Babybel cheeses at a giant blow-up poster of Judy Finnigan for cash prizes, that he must do so "in the style of a girl". Cocker continued to avoid detection and, while on-stage as Darren Spooner, took to karate-chopping balsa wood and breaking sugar-glass bottles on other band members.

    However, soon Cocker and Buckle's cover was blown while playing a gig in London, despite wearing full eye make-up and skeleton suits. Even with their identities revealed, the band continued playing gigs, capitalizing on their electronic sound to play the likes of Trash club on 20th October, 2003.

  • Underworld
    Underworld

    Underworld – the British duo Karl Hyde and Rick Smith – have been one of the most pioneering and influential electronic acts in the world for more than twenty years.

  • THE AVALANCHES
    THE AVALANCHES
    There are few living musicians as influential and wholly original as world-renowned recording artists, producers and DJs, The Avalanches. Their debut album 'Since I Left You', released in 2000, laid the blueprint for the future of sample-based music in the 21st century. Similarly, their follow up album, 2016’s ‘Wildflower', sits on a patchwork of samples earning the band further critical acclaim across the globe. It’s not only through their studio albums that The Avalanches have made a mark on the musical landscape. They have released cult famous mixtapes that have become heavily coveted collectibles. As DJs, they have performed at their own infamous monthly club night ‘Brains', to the main stage at some of the biggest festivals in the world including Splendour In The Grass, Fuji Rock, Primavera Sound, Glastonbury, Coachella and Creamfields. Big believers in the life-changing power of music, wherever they’re playing and whatever they’re spinning, The Avalanches’ sets will always be joyous, raucous and celebratory affairs. Their highly acclaimed third full-length album 'We Will Always Love You' was released Dec 11, 2020 and has received worldwide critical acclaim. It’s an album for music lovers that many are calling their album of the year.
  • Friendly Fires
    Friendly Fires

    Friendly Fires comprises singer Ed MacFarlane, drummer Jack Savidge, and guitarist Edd Gibson.

    Formed out of the ashes of 'First Day Back', the St Albans hardcore band they formed while still at school, Friendly Fires make razor-sharp post-punk that burns through the memories of all the dismal, skinny jeaned ‘80s revivalists you’ve been hearing these past few years. Sounding brittle, knotty and urgent, Friendly Fires are the real deal. With no fat or padding on them at all, their songs possess an elegant sparseness. As guitarist Edd Gibson notes: “The hardest thing I think is to know what to leave out, to know when something is enough.” But amongst all the strpped-back twists, there are also moments full of deep, blessed-out melodies. “I love lush, massive, tingly chords; the My Bloody Valentine sound,” says bassist and singer Ed MacFarlane.

  • Maribou State
    Maribou State

    Despite growing up in the same picturesque village in Hertfordshire, Chris Davids and Liam Ivory aka Maribou State customarily ignored each other at school, but discovered their shared passion for music when they both went to University.

    Since then..

  • Barrington Levy
    Barrington Levy

    OFFICIAL PAGE FOR BARRINGTON LEVY

  • Kneecap
    Kneecap

    Hip-Hop Threesome as

  • Ezra Collective
    Ezra Collective

    Femi Koleoso - Drums

    TJ Koleoso - Bass

    Joe Armon Jones - Keys

    Dylan Jones - Trumpet

    James Mollison - Saxophone

  • Kae Tempest
    Kae Tempest

    RA: Resident Advisor

  • Christy Moore
    Christy Moore

    This is the official Christy Moore Fan Page - for more see: www.christymoore.com

  • Kerri Chandler
    Kerri Chandler

    Kerri 'Kaoz' Chandler one of deep house music's originators, has been injecting soul into music since the early nineties.

  • Greentea Peng
    Greentea Peng

    GREENTEA SENSI OPEN YA EYE.

  • Joy Orbison
    Joy Orbison

    http://soundcloud.com/joy-orbison

    https://www.instagram.com/joy_orbison_/

  • Mall Grab
    Mall Grab

    love is everything

  • The Dare
    The Dare

    Harrison Patrick Smith (born 1996), known professionally as The Dare and formerly as Turtlenecked, is an American singer and musician.

  • Damien Dempsey
    Damien Dempsey

    Official page for Damien Dempsey

  • Gilla Band
    Gilla Band
    Irish noise rock band, releasing records with Rough Trade Records
  • Anna von Hausswolff
    Anna von Hausswolff

    New album 'Dead Magic' is out now - Click here to order the album, watch music videos, check tour information and more https://annavonhausswolff.lnk.to/Website

  • Self Esteem
    Self Esteem

    Management: louise@goldenarm.me & cherishkaya@googlemail.com

    Live: Andy Duggan at Primary ADuggan@wmeagency.com

    Instagram @selfesteemselfesteem

  • The Mary Wallopers
    The Mary Wallopers

    The Mary Wallopers are a folk group from Dundalk. Travelling the length & breadth of the country singing & collecting songs, they exude a raw energy that could be described as the Clancy Brothers meet John Lydon.

  • Gurriers
    Gurriers

    As the end of the first quarter of the 21st century inches ever closer, our planet precariously teeters from one crisis to the next. Rather than passively sit back and watch, the high-energy Irish guitar quintet Gurriers are firing on all cylinders and confronting the ills of the modern world on their debut album, Come and See, a truly thrilling collection of razor-sharp progressive punk songs.

    Recorded in Leeds at the Nave with Alex Greaves, Come and See blasts off to an explosive start with “Nausea”, giving the concept of Jean Paul Sartre's classic novel of the same name a furious sonic makeover. Guitars screech like sirens, creating a curiously catchy clarion call for an album of raucous reflection.

    Come and See explores many themes, be they the end of the world, the disenfranchised youth of Dublin, emigrant friends, the rise of the far right, desensitisation to violence, a pope struggling with belief and love amongst other things. “Nausea” examine how existential mundanity in the 21st century is now essentially lived in the digital realm, and society has blindly sleepwalked into this actuality without realising the full extent of its corrosive damage. Underpaid and overworked content moderators are forced to watch unspeakable horrors, as social media platforms drip feed its users dopamine, further distracting an already overstimulated and distorted cartoonish world from the harsh glare of too much reality.

    “Des Goblin” channels the hypnotic energy of dance music and notes how modern narcissism is fuelled by an addiction to online personas. “Close Call” turns up the ferocious guitar intensity to eleven, a fierce hybrid of guitar pop with industrial techno sensibilities. “Dipping Out” is like a post-post-punk version of an Adam Curtis documentary, as the band cite his classic HyperNormalisation as a major source of inspiration. One line perfectly nails the disillusionment of contemporary youth, "Failed by a system that never really lets you exist.” Indeed, if Gurriers weren’t in a band they’d probably be part of a generation leaving Ireland in their droves, driven out by the soaring cost of living and the unattainability of home ownership, left to “live in debt and die in freedom”.

    “No More Photos” opens with the memorable line, "Gentlemen, no fighting in the bathroom please. You've been caught doing too many Es” and proceeds to reference Caravaggio. Following a brief instrumental respite, simply titled “Interlude”, the album closes with a breathtaking final flourish of songs and a soaring title track, which tantalisingly hints towards an even more expansive, wide-screen sound for a future chapter. “Approachable” is a tongue-in-cheek anthem mourning the rise of the far right (“Damn, I was born in the wrong era”) that kicks off with a monstrous killer riff. “Top Of The Bill” combines an intricate guitar melody with blasts of noise and a knockout chorus, a live favourite and perfect example of how well Gurriers craft inimitable and intense pop music.

    Taking their name from an antiquated and somewhat charming Irish term for lout, ruffian, or street urchin, Gurriers formed in January 2020, initially comprising Dan Hoff on lead vocals, Ben O'Neill on guitar and backing vocals, Mark MacCormack on guitar, Pierce O'Callaghan on drums and Emmet White on bass, who has since amicably left the band and been replaced by Charlie McCarthy.

    Hailing from various parts of Ireland, Gurriers met in Dublin. They believed they were destined to connect creatively in a meaningful way, so they formed a band. We don’t need to dwell too much on how events in early 2020 temporarily stalled their progress. "All we wanted to do was be back in a room together and practice," Dan Hoff recalls. "I remember one stage screaming into my pillow because of the extended lockdowns.”

    Instead of doom scrolling on their phones, baking banana bread, or bingeing on box sets, Gurriers seized an opportunity to hone their vision and advance their ambition. Over numerous Zoom calls, they meticulously discussed every single aspect of the band, plotting strategies at a time when venues, studios, and rehearsal rooms were shuttered shut. The silence spurned the fledgling group on to make a bigger, more beautifully abrasive noise.

    Thanks to a productive pandemic, when Gurriers played their first gig on Halloween 2021 at Dublin's Workman's Club, they'd evolved remarkably as a band. On the back of earlier singles including “Sign of The Times” and “Nausea”, they have received the seal of approval from The Needle Drop's legendary Anthony Fantano and prestigious support from Steve Lamacq and Huw Stephens of BBC Radio 6 Music culminating in their most recent single “Des Goblin” making it up to BBC Radio 6 Music’s A-List at 6, not bad for an unsigned band self-releasing their own music.

    Gurriers played festivals throughout Europe and beyond, including SWN, Mad Cool, Reeperbahn, Left of the Dial, London Calling, Latitude, Haldern Pop, Off, The Great Escape, Pukkelpop, Pitchfork Music Festival London, Electric Picnic and All Together Now. Scheduled to play South by Southwest in Austin, Texas last March, Gurriers pulled out alongside virtually all other Irish participants, boycotting the event due to its sponsorship by the US Army. This October, Gurriers will embark on their biggest tour to date in support of their blistering debut.

    Inspired by timeless first records by The Strokes, Arctic Monkeys, The Chemical Brothers, and Black Midi, Gurriers' first album is no ordinary debut, but an exhilarating statement of intent by five people fed up with tiptoeing politely around the chaos. Come and see for yourself.

  • W.I.T.C.H.
    W.I.T.C.H.

    Legendary Zambian Rock Band

  • Cardinals
    Cardinals

    Hailing from Cork, Cardinals are 5-piece rock n’ roll group containing swells of alternative pop and traditional Irish sounds.

  • Sam Alfred
    Sam Alfred

    DJ/Producer

    contact: scalfredd@gmail.com

  • RÓIS

    RÓIS is a composer, vocalist, multi-instrumentalist, and electronic artist from Fermanagh, whose songs breathe new life into a forgotten Ireland. Blending elements of folk, sean-nós, electronics, and jazz harmony, RÓIS’ genre-bending sound transports listeners to a different realm. With shapeshifting sets, no two performances are ever the same, as audiences accompany RÓIS into her sound world. Expect twists and turns of tempo and genre, and moments of sheer magic, as she conducts the energy of the room. This is a place where the ancient meets the new.

  • SexyTadhg
    SexyTadhg

    Building a reputation for theatricality, virtuosity, and fearless queer expression, SexyTadhg has had a breakthrough start to their career, including a UK tour with The Mary Wallopers, and Irish TV appearances. SexyTadhg was recently named one of The Irish Times' '50 to Watch' and received the Dublin Fringe Festival’s ‘Radical Spirit’ Award. Their bold commitment to the Irish language, queer visibility, and radical imagination, threads through all their work, like their recent debut EP SEXY, including the bilingual single