Taking Back Sunday

Taking Back Sunday

Brooklyn Paramount, 385 Flatbush Ave. Extension, 11201 Brooklyn Directions

Sun 27.09.2026 18:00

Doors: 6:00PM Show: 7:00PM All set times and opening acts are subject to change without notice. For accessible seating inquiries, please email us directly at Info@BrooklynParamount.com to reserve accommodations. Balcony Includes: Exclusive Entrance via Dekalb Ave. Balcony Access Private Bar Private Bathrooms Private Coat Check

Performers

  • Taking Back Sunday
    Taking Back Sunday

    Taking Back Sunday (formed in 1999) is an American post-hardcore and alternative rock band from Amityville, New York, in the U.S.

  • Thrice
    Thrice

    To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from Thrice over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

    Since forming Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility. Scott Evans (Sleep, Kowloon Walled City, Yautja, Town Portal) is on mixing duties, conjuring a landscape of gloom, glow, and glory.

    On “Buried in the Sun,” which had the working title of “D.C. Bass,” the band’s fondness for bands like Fugazi and Frodus comes to the fore. In it we learn that there’s a military-industrial complex, a vast apparatus of legal bullying, to take on (I saw the fire on the television/the DoD or the CIA), but the threat to our mental health in acknowledging our own country’s participation in the terror trade is both immersive and interior. The psychic struggle will often come down to what we’re doing with our tools, how we hold what passes before our minds in dreams and on screens. There’s a lot to take in and a lot to be mad about, but Horizons/East invites us to slow tape and see.

  • Saves the Day
    Saves the Day

    NEW JERSEY vs THE WORLD

    savestheday.com