Palace Bowl Presents - Gary Numan

Performers

• Palace Bowl Presents
• 

  Gary Numan

  May, 1979. It’s an ordinary Thursday evening, which means it’s time for Top of the Pops. Amidst a zeitgeist of punk and disco, the show suddenly appears to be interrupted by a transmission from the future. A luminous synth riff echoes out, a beat drives on and upsteps an otherworldly figure - part robot, part alien - to deliver an enigmatic lyric depicting some kind of android existence in a dystopian future. It’s Gary Numan fronting Tubeway Army for their breakthrough hit ‘Are ‘Friends’ Electric?’.

  Of the millions that are watching, few would’ve recognised that this moment foreshadows the shape of music to come, from synth-pop to industrial and alt-pop. That, however, can’t stop it igniting the imagination of an audience that would swell into a devoted following.

  Fast-forward to January, 2021. Numan’s latest single ‘Intruder’ pulsates ominously as if it’s soundtracking an imminent threat. As austere synths loom like shadows and industrial beats are detonated, the beguiling hook towers like a beacon in the darkness. It’s visionary and venomous, with a narrative that imagines the Earth growing angry at mankind's actions, and more than willing to fight back. In the accompanying video, Numan looks even more out of time than he did back in 1979, like an intergalactic refugee fighting for his own existence.

  Those two songs show how Numan has consistently fought against the grain to stick resolutely to his creative vision. In a career that spans over forty years, the music evolves and the themes change. But fans remain fascinated by Numan for the very fact that he’s so uncompromising.

  Any story charting four decades will be a mixed blessing of momentous highs and meagre lows. The achievements are remarkable for someone who never made any concessions to mainstream success. Seven Top 10 singles, including ‘Are ‘Friends’ Electric?’ and the debut solo hit ‘Cars’; seven Top 10 albums, three of which topped the charts; and huge critical acclaim, most notably with the Inspiration Award at the prestigious Ivor Novellos.

  Naturally, there were times when Numan was very much not in vogue. Sure, there would be ripples of rediscovery but there were years when his increasingly conceptual albums were primarily embraced by hardcore fans. He wasn’t troubling the charts, but audiences were still flocking to see him perform - almost every UK tour would include a sold-out show at the 5000 capacity Hammersmith Apollo.

  Gradually, though, praise from Nine Inch Nails, Prince and David Bowie led to a reappraisal of his work. And that has been magnified in recent years with Kanye West, Lady Gaga and Dave Grohil citing him as an influence.

  And so, a new narrative emerged. An unlikely icon returned to the top while making music that was darker, fiercer and more inventive than ever.

  ‘Splinter (Songs From A Broken Mind)’ set the ball rolling by peaking at #20 in 2013, its precise, post-industrial sound delving into Numan’s experiences with depression. He started a new deal with BMG in 2017 and released ‘Savage (Songs From A Broken World)’, an album which depicted earth as a barren wasteland in which humanity and culture had been largely crushed by the effects of global warming.

  His forthcoming album ‘Intruder’ presents a fresh but complementary narrative. It’s a philosophical examination of a potential future apocalypse: the planet can only survive by purging its inhabitants.

  Numan explains: “‘Intruder’ looks at climate change from the planet’s point of view. If Earth could speak, and feel things the way we do, what would it say? How would it feel? The songs, for the most part, attempt to be that voice, or at least try to express what I believe the earth must feel at the moment.

  The planet sees us as its children now grown into callous selfishness, with a total disregard for it’s well being. It feels betrayed, hurt and ravaged. Disillusioned and heartbroken it is now fighting back. Essentially, it considers human kind to be a virus attacking the planet. Climate change is the undeniable sign of the Earth saying enough is enough, and finally doing what it needs to do to get rid of us, and explaining why it feels it has to do it.”

  Partially written and recorded during lockdown, it’s no surprise that current circumstances have been assimilated into its themes. It’s especially evident in ‘The Gift’, which evolves from a sparse introduction into a resonant Middle-Eastern sonic motif. It imagines Covid-19 as the first weapon that the planet deploys in order to eradicate mankind and once again flourish.

  While anger and vengeance rage in its opening chapters, ‘Intruder’ charts a wider spectrum of emotions. ‘Is This World Not Enough’ and ‘A Black Sun’ exude regret and then despair that this fate could’ve been avoided. The finale presents a black-hearted double-bill to bring the curtain down on the tale. First ‘Now And Forever’ offers a hope of eternity in the end days during its theatrical intensity, before the sparse, sorrowful ‘The End Of Dragons’ ends on the chilling reminder that what’s broken can’t always be fixed.

  Collectively the album proves that Numan’s creative spark shows no sign of being extinguished.

  That’s just a snapshot of the tale behind one of music’s most singular talents. The full story can be found in Numan’s critically acclaimed autobiography ‘(R)evolution’, which The Observer described as an, “exhaustive, entertaining and often poignant life story.” What comes next will surely be just as intriguing.

• 

  Marc Almond
• 

  Ladytron

  Ladytron is a contemporary electropop band formed in Liverpool, England. The band takes their name from the song "Ladytron" on the 1972 self-titled début album of the band Roxy Music.

  Background:

  Ladytron formed in the summer of 1999 when Liverpool Musicians & DJs Reuben Wu and Daniel Hunt, met dual singers, Glaswegian Helen Marnie and Sofia, Bulgaria born Mira Aroyo.

  They began recording tracks for their debut album, 604, shortly after. The album was released in early 2001 on the Emperor Norton/Invicta HIFI labels to critical acclaim, by which time their single "Playgirl" was bringing them some national and international attention.

  The follow up, Light & Magic, was released in Autumn 2002 to wider exposure, and spawned the underground hits "Seventeen", "Evil", and "Blue Jeans". Following 18 months on tour supporting that album, they recorded their third album, Witching Hour, in early 2004. The album was released in 2005, along with two singles: "Sugar", and their most well known track "Destroy Everything You Touch". The band were awarded 5 NME singles of the week in the process.

  The band finished work on their fourth studio album, Velocifero, in February 2008. It had a full release worldwide on June 3, after making the top 40 through a two week exclusive release on iTunes. Velocifero was recorded in Paris, with the band handling production duties and some collaboration with Alessandro Cortini (Modwheelmood, Nine Inch Nails) and Vicarious Bliss (Justice, DJ Mehdi). Velocifero has been the bands most successful release to date, and their tour to coincide, the biggest yet.

  Style:

  Ladytron make electronic pop music, using an array of vintage analogue equipment to achieve their distinct sound. Albums so far have focused on a balance between pop structures and digitally edited analogue electronic sound, along with some more experimental leanings. All four members write songs differently, which adds to the eclectic nature of their albums. Their third album, Witching Hour, saw an augmentation of their sound, leading the album to be described by Pitchfork as a "quantum leap record"

  Touring:

  The band have a large cult following worldwide, and toured extensively since the release of Light & Magic, intensifying on the Witching Hour and Velocifero albums. They have also on rare occasion opened for other artists; taken by Soulwax onto their UK tour in 2001, Bjork in 2003, and across Europe, they opened for Nine Inch Nails in early 2007 at the invitation of Trent Reznor. Mira Aroyo and Reuben Wu also play DJ sets in clubs and events around the world.