Taking Back Sunday
Dome at Toyota Oakdale Theatre, 95 South Turnpike Road, 06492 Wallingford Directions
Wed 23.09.2026 20:00
DOORS 7:00PM / SHOW TIME: 8:00PM *Please continue to monitor our social media for most up to date door times. Times are subject to change without notice. The DOME at Toyota Oakdale Theatre offers General Admission/Standing Room only tickets. Guests who are in need of an ADA or Accessible Seating accommodation will purchase a GA ticket and will be assisted on the day of the show once inside the venue.
Performers
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Taking Back SundayTaking Back Sunday (formed in 1999) is an American post-hardcore and alternative rock band from Amityville, New York, in the U.S.
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Thrice
To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from Thrice over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.
Since forming Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility. Scott Evans (Sleep, Kowloon Walled City, Yautja, Town Portal) is on mixing duties, conjuring a landscape of gloom, glow, and glory.
On “Buried in the Sun,” which had the working title of “D.C. Bass,” the band’s fondness for bands like Fugazi and Frodus comes to the fore. In it we learn that there’s a military-industrial complex, a vast apparatus of legal bullying, to take on (I saw the fire on the television/the DoD or the CIA), but the threat to our mental health in acknowledging our own country’s participation in the terror trade is both immersive and interior. The psychic struggle will often come down to what we’re doing with our tools, how we hold what passes before our minds in dreams and on screens. There’s a lot to take in and a lot to be mad about, but Horizons/East invites us to slow tape and see. -
Saves the Day
NEW JERSEY vs THE WORLD
savestheday.com