Sepultura

Sepultura is a phenomenon. For over twenty-five years, the band from Brazil has been delivering a brutal mix of metal, hardcore, thrash, punk and tribal that could hardly be more intense or more passionate. What had begun in Belo Horizonte in 1984 soon turned into a metal hurricane of threatening proportions and has taken on undreamt-of dimensions since the enlistment of American vocalist Derrick Green in 1998. You have to experience this band live on stage to understand the fascination that this South-American act holds. And Sepultura's current songs always indicate the future of heavy metal.

SEPULTURA BIO 2016 (by Dom Lawson)

Class is eternal and metal is forever. The road to heavy music glory is littered with the shattered corpses of those that didn’t have the strength to complete the journey. But true masters always win through, and Sepultura have long since earned their status as legends of the metal world. In 2017, they return with more fire in their collective belly than ever before. Machine Messiah is coming…

Formed in Belo Horizonte, Brazil, in 1984, Sepultura swiftly became major players in the burgeoning thrash metal underground. With a sound that was as inventive and exuberant as it was raw and primitive, the band shattered preconceptions by planting South America firmly on the metal map, as early albums like Morbid Visions, Schizophrenia and Beneath The Remains helped to shape the sound of this new, brutal strain of heavy music. With a dogged devotion to touring anywhere and everywhere, Sepultura steadily built up one of the most dedicated fan bases on the planet, and while the ‘90s caused many metal bands to struggle creatively and commercially, the Brazilians went from strength to strength: both 1993’s Chaos AD and its groundbreaking follow-up Roots in 1996 were instant classics and have since proved to be hugely influential on several generations of metal musicians.

The departure of frontman and founder member Max Cavalera in 1997 could easily have derailed a less focused outfit, but the recruitment of vocalist Derrick Green later that same year proved to be a masterstroke. The last two decades have seen Sepultura evolve, diversify and thrive, releasing a steady succession of devastating records that have added great depth and diversity to the band’s illustrious catalogue. From the scattershot euphoria of Green’s first album Against in 1998 and the snarling groove barrage of 2003’s Roorback to the gleaming, riff-driven futurism of 2011’s Kairos and the Ross Robinson-produced mutant extremity of the widely acclaimed The Mediator Between Head And Hands Must Be The Heart, released in 2013, Sepultura’s progress has been perpetual and their artistic integrity impeccable. Ever more revered as a destructive and exhilarating live band, the current lineup of Derrick Green, guitarist Andreas Kisser, bassist Paulo Jr. and drummer Eloy Casagrande recently celebrated Sepultura’s 30th anniversary with an unrelenting world tour that confirmed beyond doubt that the Brazilian crew are on the form of their lives right now.

Fast-forward to 2017 and Sepultura are poised to release an album that promises to once again reaffirm the band’s status as standard bearers for heavy music. Recorded with esteemed producer and engineer Jens Bogren (Opeth/Kreator/Ihsahn/Paradise Lost) manning the controls, Machine Messiah is not just the band’s 14th studio album – a remarkable enough feat in itself – but it is also quite simply the most complete and absorbing album the band have made in the Derrick Green era. Thrillingly broad in musical scope but always firmly rooted in the spirit and fire of no-nonsense heavy metal, it is clearly an album that the band have crafted with great love, passion and determination.

“We worked a lot in Brazil, doing as much pre-production as we could, to make it as complete as possible,” Andreas Kisser explains. “So when the producer comes, he comes with his suggestions and ideas and we refine the songs and then finally record it all. Jens was an amazing addition to the project. He’s a great producer. He’s very attentive to the details. I’m very happy with the sound – Jens mixed the album as well, in Sweden. We had an amazing time over there. We’re very excited about this record and we can’t wait for the it to come out!”

Ranging from the stately menace of the slow-burning title track and the heads-down fury of classic thrasher I Am The Enemy to the esoteric percussive riot of Phantom Self and the monstrous dark metal behemoth of Sworn Oath, Machine Messiah strikes an exquisite balance between delivering the goods and veering joyously off-piste. An album of meticulously crafted songs, but also of jaw-dropping individual moments, it reaches an epic and invigorating crescendo with the glowering, nightmarish Cyber God, as one of Kisser’s finest ever solos spirals, soars and fades to black. A towering achievement and a bona fide team effort, Machine Messiah may just be the finest Sepultura album yet.

“There are lots of new elements on this record, and that’s something we always do,” says the guitarist. “We always put 100% energy and passion into it. We talk about everything a lot, especially when it comes to the lyrics and finding the best way to express what we want to say. Derrick did his best job on this record. His voice sounds amazing and he can really sing! He really took over the lyrical part this time, too. Everyone was really professional. Even Paulo worked on his bass arrangements at home by himself, which he’s never done before! That’s what we need in Sepultura. I think this is one of our best albums, because it’s a real band effort.”

Armed with their finest album in decades and itching to get back on the road to share their new music with the faithful, Sepultura have never been in such a confident and content state of mind. Machine Messiah emerges into a troubled world, but its extraordinary contents are guaranteed to lift the spirits of any loyal metalhead. This is metal with a giant heart, a head full of inspiration and one foot planted squarely on the accelerator. The messiah is coming. Praise be!

“It’s a privilege to be in a band like Sepultura, 32 years into a career, and these are possibly the best times of all for us,” says Kisser. “It took a long time after Max left, we lost everything, so it took a while to rebuild everything and to find the right people to do stuff for us, but we’re in a good place now and we’re really excited about 2017. I love touring, man! We can’t wait to get back out there. Onstage is where the time stops and you lose your connection with reality and go somewhere else, and you have that exchange of energy with the crowd. It’s life - pure life.

Judas Priest

THE NEW ALBUM. INVINCIBLE SHIELD. OUT NOW.

Of Mice and Men

Named after the John Steinbeck novel, Of Mice And Men are an American metalcore rock band from Costa Mesa, California.

Slaughter To Prevail

Kostolom is the epic second LP from the duo Alex Terrible and Jack Simmons’ band Slaughter to Prevail. The album expands on the dynamic extremes of their 2017 debut, Misery Sermon — pairing Alex’s dark, cathartic lyrics with Simmons’ pummeling riffs and tense, cinematic solos. “We wanted to make each song for us stand out in a different way,” the guitarist says. “On some of the songs, we focused on wanting to keep it uptempo, building to a breakdown as the focal point. Other songs it was about groove or the chorus — ‘how can we make this melodic?’ The albums we love the most have those dynamics, and we want to use them to make each part hit harder.”

The songs evolved over several years, the first demos constructed shortly before the release of Misery Sermon. And they finally finished the material in late 2020, with everyone (Alex, Simmons, bassist Mikhail Petrov, guitarist Dmitry Mamedov) having tracked their respective parts at home. (Evgeny Novikov recorded his drums at a nearby studio in Moscow.)

Tracks like “Made in Russia” and “Head on a Plate” pile-drive their detuned riffs straight into your skull, offering a platform for Alex at his most menacing. But the frontman also stretches out across the record, adding clean choruses to anthems like “Baba Yaga” and “Your Only.”
Alex’s words — largely sung in Russian, with occasional bursts of English — are also more balanced than the bleak song titles may suggest. “The lyrics,” Simmons says, “are quite personal to anyone who listens, I think — of personal struggle, keeping a positive mental attitude and going through the shit to have a better life and achieve your goals.”

As always, Slaughter to Prevail aim to provoke you, even as they empower you. “We want something that causes an emotion — whether it’s good or bad, disappointment or excitement or whatever,” Simmons says. “We don’t want something that’s stereotypical.”

Death Angel

Death Angel is a thrash metal band from Concord, California formed in 1982 and currently consists of Rob Cavestany, Mark Osegueda, Ted Aguilar, Will Carroll and Damien Sisson.

Leprous

new album

•Melodies of Atonement•

out now

Biohazard

Biohazard has a new single, "Forsaken" officially out today! 💥

🎥 Watch the official music video: www.youtube.com/watch?v=2uj7ojsGYIc

Stream/buy here: ffm.to/biohazardforsaken

Biohazard was one of the first bands to regularly incorporate elements of both hip-hop and hardcore metal into their sound; since their lyrical fare dealt with the harshness of urban life and the resulting anger and frustration, which both genres of music have been known to address. When Biohazard formed in 1988 in Brooklyn, NY, their original lineup consisted of guitarist/vocalist Billy Graziadei, bassist/vocalist Evan Seinfeld, guitarist Bobby Hambel, and drummer Anthony Mio. Shortly after, Danny Schuler became the drummer. They began opening for local hardcore and thrash bands and gradually built a large following through their outraged sense of injustice, political awareness, and constant touring. A self-titled debut was released in 1990 on the Maze label, but by 1992, Biohazard's fan base was strong enough to secure a deal with Roadrunner Records.

Their subsequent breakthrough album, Urban Discipline, laying rhythmically shouted vocals over heavy, hip-hop-influenced beats and guitar riffs recalling both hardcore and thrash. The hardcore rap group Onyx recorded an alternate version of their hit single "Slam" with Biohazard backing them, and the two groups worked together again on the Judgment Night soundtrack, contributing the title song. 1994's State of the World Address solidified both their reputation for intensity and their musical hybrid, but Hambel then left the band, reducing them to a trio for 1996's Mata Leao, which some found the group's most seamless rap/metal fusion yet. Hambel was eventually replaced by ex-Helmet guitarist Rob Echevarria, and in 1997, Biohazard released the live album No Holds Barred, which showcased the in-concert ferocity for which the group had become revered.

Biohazard next signed to Mercury Records and released New World Disorder in 1999. The guys left the label following its merger with Universal and harkened back to their D.I.Y. days with a tour of Europe and Japan without label or managerial support. The rarities collection Tales from the B-Side followed in 2001, along with their next full-length, Uncivilization. Guitarist Leo Curley exited the group following the album's release. Kill or Be Killed appeared two years later and featured new axeman Carmine Vincent (ex-Nucleus), who had previously roadied for the band. Means to an End, Biohazard's eighth and final album, was issued in August 2005 on SPV. Graziadei went on to form Suicide City with ex-members of Groovenics and Kittie. Meanwhile, Seinfeld appeared on the 2006 VH1 reality show Supergroup with Ted Nugent, Sebastian Bach, Scott Ian, and Jason Bonham. In December of 2007, a live double-disc CD and accompanying DVD titled Live in San Francisco was released, documenting one of their last shows together as a band.

In 2023, Biohazard formed a reunion with all original 4 members: guitarist/vocalist Billy Graziadei, bassist/vocalist Evan Seinfeld, guitarist Bobby Hambel, and drummer Danny Schuler.

Wednesday 13

New classic rock UK band with more hooks than a crane factory! Damien, Greg, Steevi, Deano, Jeff & Andy are CATS in SPACE...
Touring with legendary rock giants Deep Purple, Status Quo & Thunder playing multiple UK arenas, as well as Hyde Park with Phil Collins and Blondie, the Cats have accumulated an ever growing army of faithful fans, gaining exceptional live reviews along the way. From humble beginnings to Hammersmith Odeon, The London Palladium and the London O2 Arena shows the extent of this orbital journey for these cool Cats so far...
The band is formed entirely of musicians with a wealth of experience - both writers and performers, with impressive musical CVs including The Sweet, T’Pau, Ian Gillan, Asia, Robin Trower Band, 10cc, Arena, Moritz, Airrace & Statetrooper, to name but a few. Currently touring their epic FIFTH studio album ‘KICKSTART THE SUN’ with more new live dates added to coincide with its release...

"Travel back to the heady days of the 1970s when bands like Queen, 10cc, ELO, The Who & Cheap Trick ruled the analogue airwaves and you'll be firmly in the Cats' orbit... " -Classic Rock Magazine

Official website www.catsinspace.co.uk

As played on BBC RADIO 2, PLANET ROCK RADIO, RADIO CAROLINE and hundreds more worldwide stations

“CATS in SPACE ARE EASILY ONE OF THE FINEST ROCK ACTS THE UK HAS PRODUCED” Fireworks Magazine

“KICKSTART THE SUN IS THE POMP ROCK ALBUM OF THE YEAR” – Rock Candy Magazine

“A HUGE CINEMATIC MASTERPIECE” – Powerplay Magazine

"QUEEN’S A NIGHT AT THE OPERA HEARS IT AND GOES HOME WITH ITS TAIL BETWEEN ITS LEGS” – Classic Rock Magazine

Bleed From Within

Pure Scottish Metal.

Twitter @bleedfromwithin

Instagram @bleedfromwithin

Carpenter Brut

DOODSESKADER (Dutch for “Death Squad”) is a merging of the minds of Tim De Gieter (Amenra, Much Luv Studio) and Sigfried Burroughs (Kapitan Korsakov, Paard).

Throughout their three years of existence, DOODSESKADER has been relentlessly pushing the envelope of what it means to be a “heavy” band. From the grunge-infused sludge on their EP “MMXX : Year Zero” to the punishing blend of hiphop and hardcore of their debut album “Year One” and the sonic onslaught of relentless rapping on standalone singles such as “FLF” and “Still Haven’t Killed Myself”, they’re breaking free of any form of categorization.
The duo has been compared to genre-defying trailblazers such as Ghostemane, Show Me The Body, and Ho99o9, however, they clearly bring their own sonic palette to the table.

The red thread in all of this has been their brutally honest and introspective lyrics. Far from your run-of-the mill type of band, DOODSESKADER uses their instrumentation as a sonic backdrop for the emotion and message they try to convey; their music serves as a mirror for life itself. Sometimes brutal, sometimes fragile, sometimes energizing, but always unexpected.

Now, on March 8th, with the arrival of their sophomore album “Year Two”, DOODSESKADER takes things up another couple of notches. From silky-soft “Pastel Prison” to the absolute carnage of “The Sheer Horror Of The Human Condition”, this record is a testament to both their creativity and their will to leave their mark on this world. It’s a trip in every sense of the word, tapping into even more genres such as R&B, techno, hardcore punk, and moody ballads reminiscent of the 90s, all blended seamlessly in their musical vocabulary and making for a sonic journey unlike anything you’ve heard before.

Where their last record “Year One” saw the duo struggling with their inner demons both past and present, “Year Two” is an undeniable display of progress; not only introspectively, but also musically. De Gieter and Burroughs sound outright bloodthirsty, ready to take on anyone in their way. Tracks like “Bone Pipe” or “I Ask With My Mouth, I’ll Take With My Fist” paint a vivid picture of the band’s will to plot their own their path through this world, while at the same time slowly coming to terms with their pasts on tracks like “Peine” or “People Have Poisoned My Mind To A Point Where I Can No Longer Function”. “Year Two” undeniably sees DOODSESKADER’s promise fulfilled: it’s both a complete teardown of genres and boundaries, a sonic wrecking ball wielded by two people trying to get better.

Live, DOODSESKADER proves to be an absolute must see, translating into their sold out AB- release and a sleuth shows over Europe playing with acts such as Brutus and Amenra and on the stages of festivals such as Hellfest (FR), Mystic Fest (PL), Lokerse Feesten (BE), Fluff Fest (CZ) and much more.

Shining

Come follow us in our quest to spread and establish Blackjazz across the globe!

Vended

Iowa band looking to destroy and dominate this world.

Imperial Age

Sepultura

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