F1 Singapore Grand Prix 2026 @ Marina Bay Street Circuit

Mark Ronson

James Arthur

‘Work With My Love’ with Alok is out now!

jamesarthur.komi.io

Zara Larsson

Zara Larsson is a Swedish singer and songwriter.

Website: http://zaralarssonofficial.com/

Twitter: @ZaraLarsson

Instagram: http://instagram.com/ZaraLarsson

Facebook: https://www.facebook.com/ZaraLarssonOfficial

Snapchat: zaralarsson

Goo Goo Dolls

Forming on Memorial Day 1986, the Goo Goo Dolls are an alternative rock band hailing from Buffalo, New York, USA. The band are best known for several multi-platinum albums and their top ten hit single "Iris".

Janet Jackson

The official Facebook Page for Janet Jackson.

Zhu

With his sleek synth melodies, billowing basslines, and undeniable hooks, the GRAMMY-nominated artist ZHU creates tracks that are as sexy as they are sinister and as indulgent as they are dark. Songs like his star-making hit “Faded,” with its 318 million streams, provide a noirish soundtrack for massive crowds of writhing bodies. Though many know ZHU as a producer and DJ, he’s much more than that: he’s also a singer, performer, instrumentalist, and, importantly, a songwriter and filmmaker, two facets he delves into on the ambitious and unique new album and film GRACE. “The most powerful thing we have is to be able to tell stories,” he says.

“Settle for Less,” ZHU’s collaboration with Sabrina Claudio and latest single for Astralwerks, is a shining example of how he stirs powerful emotions with his stories and sounds. Beginning with only pensive piano keys, he builds an ethereal atmosphere through Claudio’s reverbed vocals and subtle background harmonies. Finally, the track opens up further with a sensual yet urgent, percussion-led rhythm as ZHU fights for a love on the edge: “You know you touch me in the broken parts / So don’t you leave.”

ZHU worked to create a film (out this fall) that fully captures GRACE’s breathtaking audio-visual spectacle. The album—which will double as the film’s soundtrack—was recorded mostly at Grace Cathedral in ZHU’s hometown of San Francisco, among the stained-glass windows and marble columns where people preached, worshiped, and sought answers from a higher power. He channeled the grandness of the occasion into the LP with transcendent organs, string players, and even a choir. ZHU worked fast, recording with intensity and urgency, most of its tracks are single, live takes. Far from a standard dance record or a collection of singles, ZHU intends GRACE to be listened to from beginning to end, as he tells a story for which even he’s not completely sure of the ending.

“This album is a real-life manifestation of some of the decisions I need to make,” ZHU says. “I’m kind of at this crossroads between some trajectories in my career: one which goes niche, and the other which goes for mass appeal; one in which I focus on being a producer, one in which I’m an artist; one in which I’m in the shadows, one in which I’m in the light.” Inspired by the rawness of acts like Massive Attack and Portishead—“I think their records are really good at expressing pain”—GRACE navigates this junction via a winding path of sounds and emotions. From the roaring, bass-warped aggression of “The Gates” and self-idolizing “Praise” to the sparkling, love-flushed breaks of “Dragonfruit” and introspective, downtempo closer “Blessings,” the album chronicles a carefully written journey from darkness to light, tension to release, uncertainty to peace. A decade into his career, ZHU is sharing his world in a way he hasn’t done before. “I felt like I needed to go back to where I grew up,” he says, “to tell the story of where I’m going next.”

The artist born Steven Zhu has been making music since he was a kid growing up in the Bay Area. In his late teens, he started going to raves, where his idea of what music could be—and what it could do for people—changed. “That’s the first time I saw someone have so much control over an environment,” he remembers. “I was shocked that it was possible for one person playing records to command so much energy. It blew my mind. The lights, the music, the volume, the dancing. Electronic music is an experiential thing. You can’t tell the whole story just by listening to the record—it’s a unique part of this culture.”

ZHU knew he wanted to be a part of that culture, but it took time before he was ready. He was working in the industry, writing, and producing for others, when he realized he had amassed a collection of demos tailored to his unique sonic vision. He put out a few songs on his own, anonymously at first, and they took off instantly. By the time he had his first chance to perform them at a festival in 2014, “Faded” was already a hit. So when he took to the stage, he immediately got a taste of that feeling he craved as a teenage raver: He made people move.

Since then, ZHU has explored bringing rave music into new dimensions. On his 2016 debut, GENERATIONWHY, he worked in New Orleans with local jazz musicians to weave his love for that music’s unpredictability with the ecstasy of dance. His 2018 follow-up, RINGOS DESERT, was all the more genre-blurring—not to mention vocal-forward—folding artists as diverse as Tame Impala and Majid Jordan into the glowing neons of his club tracks. ZHU’s third album, DREAMLAND 2021, was made on the go during quarantine, amid sprawling road trips as he crafted a score for dancefloors that would one day spin back into motion. The set’s grimy techno and sweaty house soundtrack embodied the communal feeling of the dancefloor, with ZHU realizing his vision alongside a vast cast of guests including Yuna, Tinashe, and Channel Tres. His 2022 project, Musical Chairs Mixtape (Vol. 1), ventured deeper into the untamed depths of emotion and vice, unlocking primal instincts through hazy production and vocals aching with desire. At the end of 2023, ZHU released the Days Before Grace EP as something of a prologue to GRACE, wading fans into his slower, more industrial sounds.

Over the years ZHU has won broad acclaim for his boundary-pushing experiments, including a Best Dance Recording nomination at the 2014 Grammys for “Faded.” GENERATIONWHY topped Billboard’s Dance/Electronic albums chart and landed on the Billboard 200. He’s also had dozens of tracks hit on the Hot Dance/Electronic Songs chart, including “Faded” (#12), and “Working For It” with Skrillex and THEY (#11). These accolades have earned him partnerships with brands including Pokémon, Luminosity, and Mortal Kombat. Of late, ZHU’s tracks have been part of the moody soundtracks for film and television—“Desire” appeared in the Netflix series The Sandman, and he reimagined Survivor’s “Eye of the Tiger” for the Paramount+ film The Tiger’s Apprentice. A clothing designer since 2015, he previewed his high-end NIGHTDAY collection at EDC Las Vegas 2022 and recently opened his showroom for the first time.

Upon the release of GRACE, ZHU is reflecting on his career and appreciating how he has been embraced by the dance world. He’s also ready for new boundaries to push. “Making this album was so grand and tedious that I think I need to really just step back for a minute and just watch it unfold before I can make a decision on what’s next,” he says. Whatever that is will surely be worth watching.

Ocean Alley

Ocean Alley is an Australian alternative psychedelic rock band from the Northern Beaches. The band is made up of Baden Donegal, Angus Goodwin, Lach Galbraith, Mitch Galbraith, Nic Blom and Tom O'Brien. Their style of music has been described as "cruisey psych, rock and reggae fusion". The band has released three studio albums and two EPs independently. Their second album Chiaroscuro debuted at No. 15 on the ARIA Albums Chart. Their 2017 track "The Comedown" was voted in at No. 48 in the Triple J Hottest 100, 2017. In 2019, Ocean Alley had four songs in the Triple J Hottest 100, 2018: "Happy Sad" at number 100, "Baby Come Back" at number 16, "Knees" at number 10, and "Confidence" at number 1.

Ezra Collective

Femi Koleoso - Drums

TJ Koleoso - Bass

Joe Armon Jones - Keys

Dylan Jones - Trumpet

James Mollison - Saxophone

Spacey Jane

Spacey Jane came to life in 2016 when mates Caleb and Kieran re-visited their teenage musical ambitions. Ashton and Meils were picked up through uni friendships and the ball rolled on from there. Since their first show in Caleb’s backyard, the band has shared the stage with the likes of Car Seat Headrest, Alex Lahey, British India and The Stems, along with festival appearances at Wave Rock Weekender, Gizzfest 2017, Falls Downtown 2018 and WADay's SOTA Festival.

Tokimonsta

The Official TOKiMONSTA Page

🌕 Eternal Reverie Tour - Tix On Sale Now

🌖 ”On Sum” OUT NOW

🌗 Pre-save / Pre-order Eternal Reverie

🌘 Founder, Young Art Records

🌑 Co-Founder, Sonu Stream

Ruben

Join the ROOBS community:

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SODA AUSTRALIAN TOUR

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NEW ALBUM 'SODA' OUT NOW

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JJ Lin

Prep

Lola Amour

Shingo Nakamura

Shingo Nakamura is a Tokyo-based producer and DJ. Hailing from Ibaraki (Japan), Shingo is especially known for a progressive house style that blends deep and lyrical sounds with classical piano.

Ape Drums

22 year old Houston native, Ape Drums, has quickly made a name for himself within the dance music community gaining support from dance music heavyweights Major Lazer, Flosstradamus, Dillon Francis and more. Mixing unique dancehall riddims with big room..

Borderline

Lana Del Rey

Lana Del Rey is an American indie-pop singer-songwriter known for her melancholic music and exploration of cinematic themes. An aesthetic and auditory experimentalist, Del Rey draws on different concepts and music genres for each album, resulting in a constantly-shifting style.

The Killers

https://TheKillers.lnk.to/BrightLights

Milky Chance

Milky Chance are a German folk and rock duo from Kassel in Germany. They are best friends and met when they were at high school.

Portugal. The Man

Well, we’re two full months into 2017 and the world continues to burn like an avalanche of flaming biohazard material sliding down a mountain of used needles into a canyon full of rat feces. But hey, it’s not all bad: Portugal. The Man has a new album coming out called Woodstock.

PTM’s last album came out over three years ago—a long gap for a band who’ve dropped roughly an album a year since 2006. And in true, prolific band fashion, they’ve spent almost every minute since 2013 working on an album called Gloomin + Doomin. They created a shit-ton of individual songs, but as a whole, none of them hung together in a way that felt right. Then John Gourley, PTM’s lead singer, made a trip home to Wasilla, Alaska, (Home of Portugal. The Man’s biggest fan, Sarah Palin) and two things happened that completely changed the album’s trajectory.

First, John got some parental tough love from his old man, who called John on the proverbial carpet or dogsled or whatever you put people on when you want to yell at them in Alaska. “What’s taking so long to finish the album?” John’s dad said. “Isn’t that what bands do? Write songs and then put them out?” Like fathers and unlicensed therapists tend to do, John’s dad cut him deep. The whole thing started John thinking about why the band seemed to be stuck on a musical elliptical machine from hell and, more importantly, about how to get off of it.

Second, fate stuck its wiener in John’s ear again when he found his dad’s ticket stub from the original 1969 Woodstock music festival. It seems like a small thing, but talking to his dad about Woodstock ’69 knocked something loose in John’s head. He realized that, in the same tradition of bands from that era, Portugal. The Man needed to speak out about the world crumbling around them. With these two ideas converging, the band made a seemingly bat-shit-crazy decision: they took all of the work they had done for the three years prior and they threw it out.

It wasn’t easy and there was the constant threat that the band's record label might have them killed, but the totally insane decision paid off. With new, full-on, musical boners, the band went back to the studio—working with John Hill (In The Mountain In The Cloud), Danger Mouse (Evil Friends), Mike D (Everything Cool), and longtime collaborator Casey Bates (The one consistent producer since the first record). In this new-found creative territory, the album that became Woodstock rolled out naturally from there

Remember that mountain of burning needles we were talking about? Good. Because Woodstock is an album (Including the new single “Feel It Still”) that—with optimism and heart—points at the giant pile and says, “Hey, this pile is fucked up!” And if you think that pile is fucked up too, you owe it to yourself—hell, to all of us—to get out there and do something about it.

Peking Duk

Fresh off the back of a sold-out 13-date winter DJ tour around the country, Australia’s favourite party duo Peking Duk today drop a brand-new single, the dance floor ready club track ‘Stop The Music’. Featuring Los Angeles-based vocalist and songwriter FEYI, ‘Stop The Music’ lands just in time for Peking Duk to headline the iconic Bunnings Warehouse Party in Melbourne on August 31st, with an after party for the ages to follow. Things are bound to get sweaty. “Stop The Music is a feel-good rave tune. We feel like it’s what the world needs right now and hopefully it gets your hips moving,” explain Peking Duk. “FEYI is the type of person you put a canvas in front of and she’ll paint a million different pictures that are more colourful than the last, yet completely unique from each other. It’s been an honour to collaborate closely with FEYI on a lot of music and this is the first of a lot to come. ❤️“ FEYI adds, ““I loved working with Peking Duk. It was an immediate amazing vibe and chemistry from the first session and from that we created this record that I’m super excited about.”

Tia Ray

Tia Ray, the Urban/Soul Queen, is a highly representative and exceptionally talented singer-songwriter/musician in today's Chinese music scene. Since her debut in 2012, she has released six distinctive personal albums, including "T.I.A.", "Once Upon A Moon", and "Allure", and has sung nearly a hundred OSTs and theme songs for film and television works, which have been widely sung.

In recent years, Tia Ray has garnered numerous accolades in the music industry, including the "Most Influential Female Artist" at TMEA and the "Annual Charismatic Artist" at Weibo Night. She has been twice nominated from the GMA for Best Female Mandarin Singer and Best Vocal Recording Album. With her diverse and unique style and leading-edge musical quality, she has become an Honorary Ambassador for the Berklee College of Music in China and was honored with the Billboard's 2024 Women in Music Global Force honorees.

As a leading international music trendsetter in China, Tia Ray showcases her unique musical charm with her delicate and soulful voice, coupled with her exceptional songwriting and performance skills.

F1 Singapore Grand Prix 2026 @ Marina Bay Street Circuit

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