Vans Warped Tour 2026 @ Autódromo Hermanos Rodríguez

Performers

• 

  The All-American Rejects

  The All-American Rejects are an American rock band formed in Stillwater, Oklahoma in 1999 and currently consists of Tyson Ritter, Nick Wheeler, Mike Kennerty and Chris Gaylor.

• 

  Papa Roach

  Papa Roach is an American rock band hailing all the way from Vacaville, California, USA. The band is an enormous success, gaining in fame since their start back in 1993. To date they have sold more than 20 million albums worldwide.

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  All Time Low

  US: 410-914-1257

  UK: 07828 569906

• 

  Rise Against

  Fall US Tour (10.14 - 11.22)

  w/ L.S. Dunes, Microwave, Cloud Nothings and Spiritual Cramp.

  Tickets available at https://riseagainst.com/tour.

• 

  Jimmy Eat World

  Do you still feel part of Something Loud?!

• 

  Simple Plan

  Simple Plan, the multi-platinum, Montreal-based band boasts worldwide sales topping 10 million. A testament to their outstanding popularity, the band has been voted Favourite Canadian Band an unprecedented five times by viewers of the MuchMusic Video Awards. Accolades also include a 2005 Teen Choice Award, 2006 JUNO Fan Choice Award, 2012 Allan Waters Humanitarian Award, 2012 Yahoo! Canadian Impact Award, 2012 NRJ award and the 2013 Allan Slaight Humanitarian Spirit Award. Through the Simple Plan Foundation, the JUNO Award-winning band has donated more than $2M to youth-focused charities since December 2005, helping both young people in need and children facing life-threatening illnesses as well as promoting musical education programs in Canada and abroad. Most recently, the band has teamed up with producer Howard Benson (My Chemical Romance, All-American Rejects) on their latest album “Taking One For The Team” that was released on February 19th 2016. The band has performed at some of the music industry's most prestigious events like the 2010 Winter Olympics closing ceremony, the 2004 Live 8 benefit concert, the MTV Music Awards as well as multiple TV appearances on shows like The Tonight Show, Jimmy Kimmel Live!, the 2008 NHL All-Star Game and 2015 NHL Winter Classic game where they sang the Canadian National Anthem and the Macy's Day Thanksgiving Parade, among others. The band continues their philanthropic initiatives to this day and $1 of every ticket sold on their “Taking One For The Team” World Tour and their "No Pads, No Helmets Just Balls" 15th anniversary tour will go towards the Simple Plan Foundation.

• 

  3OH3

  NEW MUSIC OUT NOW

• 

  Yellowcard

  On tour in AUSTRALIA in 2025 to celebrate 20 years of Ocean Avenue!

• 

  Mayday Parade

  New single "By The Way" available now 🩷

  Pre-order Sweet out April 18, 2025

  "Towards You" coming Thursday, February 27th

  See us on the Three Cheers for 20 Years Tour with Microwave, Grayscale, and Like Roses

• 

  Dropkick Murphys

  After more than a dozen studio albums, half-a-billion streams, millions of records sold, and thousands of packed shows around the globe, Dropkick Murphys are more relevant than ever nearly 30 years into their career.

  Dropkick Murphys’ new album For The People shows courage and confidence, speaking up against injustices happening in America, with a strength and power that harkens back to the band's earliest punk rock roots. For The People is more than a title. It’s a heartfelt stance, a declaration of who this band is—and who they’ve always been.

  “Who’ll Stand With Us?,” the album’s first single, is a call for unity, a return to sanity, and a look at what – and who – is really dividing us. The song aims to frame class warfare for what it is and empowers listeners to take action.

  Whether it’s politics, family, friends or simply “life,” Dropkick Murphys continue to write music that regular people can identify with.

  Dropkick Murphys' celebrated discography includes four consecutive Billboard top 10 album debuts – Turn Up That Dial (Expanded Version) (2021), 11 Short Stories of Pain & Glory (2017), Signed and Sealed in Blood (2013), Going Out In Style (2011) – along with 2005’s gold-selling The Warrior's Code featuring the near double platinum classic “I’m Shipping Up To Boston.” A pair of acoustic albums, This Machine Still Kills Fascists (2022) and Okemah Rising (2023) breathed musical life into mostly unpublished lyrics by the legendary Woody Guthrie.

• 

  Bowling For Soup

  American pop-punk band Bowling For Soup emerged in Wichita Falls, Texas in 1994, but have since relocated to Denton Texas. The band released a profuse amount of material throughout the 90s; however they did not come to widespread recognition until the early 2000s.

• 

  Escape the Fate

  ESCAPE THE FATE is a three-word phrase synonymous with heavy rock n’ roll and hooks, post-hardcore with weight, and unrelenting genre-redefining anthems built for diverse audiences. Over a decade into their young career, they have proven to move crowds equally at major rock radio festivals, the legendary Vans Warped Tour, or on the road with Five Finger Death Punch.

  NEW ALBUM is the sound of a band that’s more comfortable in their own skin than ever, recharged for the next era of their career, reinvigorated, and redefined, without losing any edge.

  “I hope that people think of Escape The Fate as a good time, but a good time in a better way,” singer Craig Mabbitt explains. “We want people to connect deeply with the music and disappear in it. Get lost and then return from the album, or show, feeling inspired about themselves. We want to make people feel better about life, to know they can take on all of its hardships. That’s what the music does for us as a band. That’s what we want it to do for the audience, too.”

  Mabbitt, Thrasher, TJ Bell, and Robert Ortiz have each been making music, and on the road, before they were old enough to drive. Almost ten years into the group’s best known and longest lasting incarnation, ESCAPE THE FATE is poised to shatter all preconceived notions about the past, with a bold step forward into their future. It’s not their storied and beloved music, which regularly captures roughly 2 million listeners across streaming services each month, that requires any distance. It’s the decadence, drama, and retrograde “bad boy” image that they’ve left in the dust.

  An authentic, visceral, and electric connection with the audience is the heart of what ESCAPE THE FATE is about. The guys in the band understand what it means to be broken, from childhood trauma, to the tumultuous downsides of the music business. They know how music can heal.

  It’s what has made the band’s message transcend any sense of “difference” in genre, all around the world, touring with Avenged Sevenfold, Godsmack, Papa Roach, I Prevail, Bullet For My Valentine, Hollywood Undead, HELLYEAH, All That Remains, and on multiple Vans Warped Tours. The tangible passion and energy of the music and lyrics transcend language and culture, whether ESCAPE THE FATE performs at Rock on the Range, Graspop Metal Meeting, or Rock am Ring.

  Smashing forward with the momentum from Billboard Top 5 Independent Album Hate Me (2015) and I Am Human (2018), which produced the Top 20 Billboard Mainstream Rock single “Broken Heart,” the four men of ESCAPE THE FATE have crafted an ambitious third entry to what could certainly be described as their most powerful trilogy of albums. Made together with A-list producer John Feldmann (Panic! At The Disco, 5 Seconds Of Summer, The Used) and co-produced by Kevin ‘Thrasher’ Gruft (ETF guitarist and production pro in his own right), NEW ALBUM delivers an arsenal of driving bangers and melodic ballads, among the best of the hard rock world. Thrasher has been working with the likes of Machine Gun Kelly and Travis Barker on other projects and running from studio to studio to create new music. His packed production schedule in recent times has greatly sharpened his skill set, making NEW ALBUM a real show of his musical strength.

  Ortiz is a big fan of megastar violinist Lindsey Stirling, so the band were elated when she accepted their invitation to contribute to one of their songs. “She is an angel – she has so much light in her. But the primary reason I wanted to work with her… strictly speaking musically, she is gnarly - her music is epic,” adds Ortiz. Travis Barker, best known as the drummer for blink-182, makes a handful of appearances as well. Songs like “Lightning Strike,” “Not My Problem,” “Hand Grenade,” and “Invincible” are destined to take their place alongside classic ETF anthems like “One for the Money” and “The Flood.”

  ESCAPE THE FATE have always emphasized diversity in their sound. Each record seamlessly blends soaring melodic hooks, powerful riffage, shredding solos, and some of the most instantly recognizable drumming in the genre, with Mabbitt’s heartfelt, authentic, lyrical missives on top.

  ESCAPE THE FATE conquered the burgeoning metalcore scene on the strength of their breakout album, This War is Ours (2008), which led to a major label deal and the rock crossover success of Escape the Fate (2011), produced by hitmaker Don Gilmore (Linkin Park, Korn, Avril Lavigne). The album hit No. 1 on Billboard’s Hard Rock Albums, the first of three ESCAPE THE FATE records to debut at No. 1 or two on that chart. Ungrateful (2013) boasts the roaring “You’re Insane.” Hate Me is equally defined by stunning singles like “Just a Memory” and “Remember Every Scar.”

  I Am Human, released in 2018, marked the band’s second collaboration with GRAMMY® Award-nominated producer Howard Benson (My Chemical Romance, Skillet, Seether). That album saw fan-favorite songs like “Empire” and “Do You Love Me?” added to the ETF songbook, but it was the title track that really blew down the doors, heralding the new chapter begun on NEW ALBUM.

  “I started doing this because music was my ‘escape’,” says Mabbitt. “I was running from unresolved feelings or chasing things away with a bottle. But music was always there for me. The whole experience of making NEW ALBUM, while reflecting on the other records; it was a beautiful realization to contemplate the power of music. It’s been such an escape for so many people that it puts me in my place. I become so humbled. I’m so grateful, not only that I’m still alive, but that I can get this music out of my head and that it will hopefully help some other people, too.”

  It may be the same guys, with the same name, but it’s a brand-new ESCAPE THE FATE. “We get up on that stage, we go into the studio, for different reasons now,” Mabbitt insists. “Throw out everything you thought you knew about this band. NEW ALBUM is a new beginning for us.”

  SHORT FORM BIO

  ESCAPE THE FATE is a three-word phrase synonymous with heavy rock n’ roll and hooks, post-hardcore with weight, and unrelenting genre-redefining anthems built for diverse audiences. Over a decade into their young career, they have proven to move crowds equally at major rock radio festivals, the legendary Vans Warped Tour, or on the road with Five Finger Death Punch.

  Craig Mabbitt, Kevin Thrasher, TJ Bell, and Robert Ortiz have each been making music, and on the road, before they were old enough to drive and playing as this incarnation for roughly a decade. An authentic, visceral, and electric connection with the audience is the heart of what ESCAPE THE FATE is about. The guys in the band understand what it means to be broken, from childhood trauma, to the tumultuousness of the music biz, and they know how music can heal.

  It’s what has made the band’s message transcend any sense of “difference” in genre, all around the world, touring with Avenged Sevenfold, Godsmack, Papa Roach, I Prevail, Bullet For My Valentine, Hollywood Undead, HELLYEAH, All That Remains, and on multiple Vans Warped Tours. The tangible passion and energy of the music and lyrics transcend language and culture, whether ESCAPE THE FATE performs at Rock on the Range, Graspop Metal Meeting, or Rock am Ring.

  ESCAPE THE FATE have always emphasized diversity in their sound. Each record seamlessly blends soaring melodic hooks, powerful riffage, shredding solos, and some of the most instantly recognizable drumming in the genre, with Mabbitt’s heartfelt, authentic, lyrical missives on top.

  ESCAPE THE FATE conquered the burgeoning metalcore scene on the strength of their breakout album, This War is Ours (2008). Crossover smash Escape the Fate (2011) hit No. 1 on Billboard’s Hard Rock album chart, the first of three ESCAPE THE FATE records to debut at No. 1 or two on that chart. The I Am Human (2018) title track heralded the new chapter begun on NEW ALBUM.

  Made together with A-list producer John Feldmann (5 Seconds Of Summer, The Used), it delivers an arsenal of driving bangers and melodic ballads that are among the best of the hard rock world.

  It’s still about a good time, but with a deeper meaning, the kind that empowers listeners to overcome all obstacles. It may be the same lineup, but it’s a brand-new ESCAPE THE FATE.

  LINEUP

  Craig Mabbitt – Vocals

  Kevin Thrasher – Guitar

  TJ Bell – Bass

  Robert Ortiz – Drums

• 

  Of Mice and Men

  Named after the John Steinbeck novel, Of Mice And Men are an American metalcore rock band from Costa Mesa, California.

• 

  Black Veil Brides

  In an era when rock music is regularly declared “dead,” Black Veil Brides music videos have been viewed over half a billion times. The band (and its members) Instagram and Twitter accounts command over 10 million followers between them.

  With a rightful reverence for the pop-cultural icons of the past, the young outfit has nevertheless fashioned their own collective future, with relentless fury. In the hearts and minds of their fans, Black Veil Brides represents an unwillingness to compromise and a resistance to critics (personal and professional), fueled by the same fire as the group’s own heroes, the iconoclasts whose creative output, once dismissed, is now canonized.

• 

  New Found Glory

  It’s been decades since New Found Glory's likeness was chiseled onto pop-punk’s Mount Rushmore, but as the quartet, formed in Coral Springs, Florida, in 1997, approach their landmark 30th anniversary, they still have a lot to say.

  “We wanted to make something that really focused on how lucky we are,” guitarist Chad Gilbert explains of Listen Up!, NFG’s 11th studio album and first release for Pure Noise Records. “We’ve all gone through serious stuff in our lives, and I think the lyrics on this record are more meaningful and purposeful than ever. It’s a positive outlet that hopefully keeps people going.”

  The album’s spirit is indeed a testament to resilience, shaped not only by Gilbert’s ongoing battle with an aggressive metastatic cancer but also the ever-evolving dynamic between him and his bandmates – vocalist Jordan Pundik, bassist Ian Grushka and drummer Cyrus Bolooki – as they continue to push each other creatively. It’s the same full-hearted sentiment that colored their 2023 acoustic EP, Make The Most Of It, here delivered in three-minute bursts of the band’s trademark pop-punk sound: the shiny melodies that launched them onto TRL in the early 2000s, the ghosts of the tight-knit punk and hardcore scenes they came up in as teenagers.

  That kinetic energy informed Listen Up! from its earliest stages of the writing process, with Bolooki and Grushka traveling to Gilbert’s Nashville-area home to flesh out the songs the guitarist had been crafting. Sitting face to face with their instruments, the three fell into a rhythm of workshopping and arranging together, leaning into a riff-first mentality that harkened back to iconic songs like “My Friends Over You” and “All Downhill From Here” in what Bolooki calls a musical return to form.

  “The album is nonstop riffs you can sing along to and air guitar with,” Gilbert says. “Back in the day, I’d write riffs and then we’d come up with melodies around them, but later the melodies came first and we’d have the music fit the melody. Now, the two are equally as important.”

  “Being able to grab a guitar and jam these riffs with Ian and Chad with a second guitar in play, before I even picked up a drumstick, allowed for more creativity to come out in riffs and leads during the songwriting process,” Bolooki adds. “My musical background is a little more theory-based, and I think that helped bridge the gap between different musical ideas Chad had.”

  True to their word, first single “100%” puts New Found Glory’s renewed approach on full display, an instant classic the group road-tested all summer on tour with The Offspring and Jimmy Eat World. Bursting with tightly wound guitar chugs and Pundik’s iconic timbre, the track is as much a love song as it is a renewed commitment from the band to its audience – now a multigenerational affair as era-defining tracks from gold and platinum albums like 2000’s New Found Glory, 2002’s Sticks And Stones and 2004’s Catalyst get the same fervent live response as the fan-favorite collection of covers like “Kiss Me” and “Let It Go.”

  “The success of the Catalyst anniversary tour and seeing a whole new wave of young New Found Glory fans filled us with even more energy to make this record fresh and exciting,” Gilbert says. “It feels like there’s still room for us to bring in a new wave of fans to this genre.”

  Elsewhere on the album, “Laugh It Off” trembles with the darkly hewn moodiness of Catalyst, “Treat Yourself” gallops with skate-punk fury and “Medicine,” which Pundik likens to Matthew Sweet’s brand of power-pop, provides a lighter musical moment. Make The Most Of It cut “Dream Born Again,” here in full-band form, sparkles with echoes of Sunny Day Real Estate, while the album-closing “Frankenstein’s Monster” reflects on Gilbert’s cancer journey over the last few years – a struggle that could have derailed the band but instead fueled the guitarist to carry his positivity and drive straight into the studio alongside producer Steve Evetts (Saves The Day, Lifetime) and NFG touring guitarist (and Four Year Strong frontman) Dan O’Connor, who joined the band in the studio for the first time.

  “I was between cancer treatments making the record,” Gilbert explains. “I was pretty much dying again. I was going into the studio in the morning and sitting there with a 190, 200 blood pressure, going to the hospital, getting scans, going back to the studio, finishing a guitar track and then going home. I had some heart failure issues – all this fluid in my body and lungs – and we had to arrange the schedule so we could finish the album.”

  “Despite everything Chad was going through, he would come in just ready to roll, and that set the tone for the record,” Pundik says, noting Gilbert pushed him to share more of the lyrics he’d been writing throughout the process. “Seeing him feeling positive and excited about the songs got us excited about it, and being in the studio every day together made the process really special. Recording is always a stressful thing because you’re trying to make the best album you can, but I think we all went in trying not to take it so seriously and just have fun with it.”

  At this stage in their decorated career, New Found Glory’s goals are straightforward: keep inspiring the next generation of artists and continue writing songs that help their audience – and themselves – find strength, courage, and joy. The band has come a long way from their humble South Florida beginnings, as detailed on the Listen Up! standout “Beer And Blood Stains,” a nostalgic riff-factory detailing the band’s early battle scars at local clubs, where danger meant more than catching a stray elbow in the swirl of a circle pit. “Looking back, was it fun or crime?” Pundik muses on the track before elevating the album’s simple-yet-profound mission statement: “It’s good to be alive.”

  “Obviously there’s the relationship to music, but we called the album Listen Up! because we’re trying to offer an album to fans that’s a little bit deeper, that asks them to listen to the words and the world around them,” Gilbert says. “I think this is the most honest and universally relatable record we’ve made in years – maybe ever.”

• 

  We Came as Romans

  text "bandsintown" to 248-422-0399.

• 

  The Maine

  The Maine. Self-titled album. 8.1.23

• 

  Flogging Molly

  Flogging Molly (formed in 1997) is a seven-piece Irish-punk band from Los Angeles, California, U.S., singed to their own label Borstal Beat Records.

• 

  Atreyu

  Named after the lead character in the fantasy novel “NeverEnding Story”, Atreyu is a metalcore band based in Orange County, California, US, noted for crossing intense screamo stylistics with strong pop sensibilities.

• 

  Breathe Carolina

  Breathe Carolina are a US based electronic rock band, hailing from Denver, Colorado. The group formed in 2006, and the current line up currently consists of Davis Schmitt, Tommy Cooperman, Eric Armenta, and Luis Bonet.

• 

  The Devil Wears Prada

  As Ohio’s premier Christian Metalcore band, The Devil Wears Prada have been a staple act in the metal scene worldwide for years.

• 

  Underoath

  TEETH. OUT NOW. tpato.com

  They’re Only Chasing Safety World Tour // Tix on sale now ⬇️

  http://underoath777.com/pages/tour

• 

  Thrice

  To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from Thrice over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.
  
  Since forming Thrice with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility. Scott Evans (Sleep, Kowloon Walled City, Yautja, Town Portal) is on mixing duties, conjuring a landscape of gloom, glow, and glory.
  
  On “Buried in the Sun,” which had the working title of “D.C. Bass,” the band’s fondness for bands like Fugazi and Frodus comes to the fore. In it we learn that there’s a military-industrial complex, a vast apparatus of legal bullying, to take on (I saw the fire on the television/the DoD or the CIA), but the threat to our mental health in acknowledging our own country’s participation in the terror trade is both immersive and interior. The psychic struggle will often come down to what we’re doing with our tools, how we hold what passes before our minds in dreams and on screens. There’s a lot to take in and a lot to be mad about, but Horizons/East invites us to slow tape and see.

• 

  Motion City Soundtrack

  'The Same Old Wasted Wonderful World' Out now on Epitaph Records.

• 

  The Story So Far
• 

  Goldfinger
• 

  Story of the Year

  Formed in St. Louis, Missouri, Story of the Year have fallen into the category of ‘emo’ with some of the earlier lyrical content, but they have achieved major label success with their debut album “Page Avenue” which has since been certified Gold by the RIAA.

• 

  Pennywise

  Few bands have endured with as much demonstrably California-encompassing vibrancy as the Hermosa Beach, CA institution that is Pennywise. They reign unchallenged, outside the margins of the mainstream, a staple on the SoCal radio airwaves and worldwide festival circuit revered and championed by generations of fans filling theaters and clubs.

  Pennywise possess the power to merge the subversive with the celebratory. Each Pennywise record is chock full of fast-paced anthems expertly engineered to inspire radical change, personal empowerment, relentless hijinks, and reckless fast times. On paper it may read like a mess of contradictions, but on record, it sounds like California.

  At this point, three decades since the band’s DIY beginnings, Pennywise classics like “Same Old Story,” “Fuck Authority,” “Alien,” “Homesick,” and “Bro Hymn” are as fundamental to punk rock and hardcore as stage dives and guitars.

  The defiantly titled Never Gonna Die is the first full album of brand new songs with singer Jim Lindberg, guitarist Fletcher Dragge, drummer Byron McMackin, and bassist Randy Bradbury in over ten years. It’s as timely as it is timeless, charging head first into the chaos of the current climate of the world with the tried-and-true determined sound the Pennywise faithful demand. Never Gonna Die was forged in the same space where the band penned classic songs with late bassist Jason Thirsk and produced once again by rock producer and close collaborator Cameron Webb (Motörhead, NOFX, Alkaline Trio).

• 

  Hawthorne Heights
• 

  Less Than Jake

  Less Than Jake is an American ska punk band from Gainesville, Florida, formed in 1992 and currently consists of Chris Demakes, Roger Lima, Vinnie Fiorello, Buddy Schaub and Peter "JR" Wasilewski.

• 

  Saosin

  Emerging from the fracturing of Open Hand, Saosin (alongside acts such as Underoath and Silverstein) outlined a new wave of emo saturated in harsh atonal dissonances and highlighted by pop hooks buried under searing noise. The group has released two albums throughout the 2000s each with a remarkably different character.

• 

  Basement

  US Shows on sale Friday

• 

  Destroy Boys

  our new album, Funeral Soundtrack #4, is out everywhere

  get tickets for upcoming shows at bit.ly/destroytour

• 

  Alexisonfire
• 

  Joyce Manor
• 

  Chiodos
• 

  The Ataris

  Presave "Car Song" Now 🎸 Get Tickets and More ⤵️

  https://ffm.bio/theataris

• 

  Four Year Strong

  Cheers.

• 

  Citizen
• 

  State Champs
• 

  Movements

  Music and emotion share a timeless physiological, psychological, and spiritual bond. A chord, a melody, or a lyric can lift spirits and inspire. Movements achieve that sort of reaction on their full-length debut, Feel Something [Fearless Records]. Threading together spacey guitars, evocative and introspective lyricism, ponderous spoken word, and tight songcraft, the Southern California quartet—Patrick Miranda [vocals], Ira George [guitar], Spencer York [drums], and Austin Cressey [bass]—immediately connect by opening up. That musical empathy quietly launched Movements on an upward trajectory in 2015. Formed by longtime friends, the group landed a deal with Fearless Records after just one local gig. Produced by Will Yip [Tigers Jaw, Title Fight, Turnover, Citizen], their debut EP, Outgrown Things, became a fan favorite. Acclaimed by the likes of Alternative Press and New Noise Magazine, songs like “Nineteen” and “Kept” each respectively amassed over 800K Spotify streams and counting as they have toured nonstop. Along the way, the boys started working on what would become Feel Something before returning to the studio with Yip in February 2017. In the sessions, their signature style crystallized and coalesced. Ultimately, Movements bring emotion to life in each note.
• 

  The Starting Line

  The Starting Line (TSL) is a four-piece pop punk band from the Philadelphia, Pennsylvania area. They formed in 1999 as Sunday Drive and are signed to Virgin Records, and were previously signed to Drive-Thru and Geffen Records. In March 2008, the band announced that they are going on break for about three years in order for Vasoli to explore Person L, Matt and Tom to explore The 76, and Mike to spend time with his two daughters.
  
  In 1999, the band that would become The Starting Line was initiated in Churchville, Pennsylvania via an AOL instant message from guitarist Matt Watts to vocalist/bassist Kenny Vasoli. It asked if the then fourteen-year-old Vasoli, who was at that time in a band called Smash Adams, was interested in "Jamming and shit", as the message title read. Only a few weeks later, Vasoli found himself rehearsing with his future bandmates Watts, guitarist Mike Golla and drummer Tom Gryskewicz. Soon, the band started touring under the name Sunday Drive, selling out home-made merchandise and a self-recorded demo cassette titled Four Songs. Their first official release was a three-way split with The Jimmy Tuesday Band and The Commercials contributing three songs each, released on KickStart Audio in 2000.
  
  Sunday Drive was soon approached by We the People Records and asked to produce a recording session (the infamous We the People Records Sessions). Set for a release in December 2000, the twelve songs were initially planned to become the band's debut full-length With Hopes of Starting Over on We the People Records, but they ended up serving only as demos for tracks on future releases, as the band signed with Drive-Thru Records in April 2001. On Drive-Thru, they soon released their debut EP With Hopes of Starting Over. Yet, as the name Sunday Drive was already taken by a Christian rock band, they went on as The Starting Line.
  
  On July 16, 2002, almost exactly one year after the release of their EP, the full-length Say It Like You Mean It followed. The songs ranged from energetic and fast-paced to melancholy and calm, dealing with performing on stage ("Given the Chance"), feeling homesick ("Left Coast Envy") and getting even with Vasoli's ex-girlfriend Karina ("Up & Go", "Hello Houston", among others). The hit single "The Best of Me" and its two music videos, as well as the second single "Leaving", received heavy radio and TV airplay, securing The Starting Line a spot on the Warped Tour.
  
  Due to their desire to put out new material, the band decided to release an all-unplugged EP, recorded in three sessions over the following year. The first three songs (recorded in The Prize Fight's Bob Jones' bedroom in August 2002), the second session (recorded in Vasoli's basement in March 2003) and the last track (recorded on the band's touring bus in April 2003) became The Make Yourself at Home EP, released on November 25, 2003. The CD and the DVD version issued simultaneously, featuring an acoustic set performed live at Skate & Surf 2003 in Asbury Park, New Jersey, would be their last releases put out solely on Drive-Thru Records, as The Starting Line was signed by Geffen Records soon afterwards.
  
  Their major label debut, Based on a True Story, came out in May 2005. Lyrically, the band dissociated themselves from the post-relationship formula that was predominant on their previous records. On this album, a lot of the songs (e.g. "Inspired By the $", "Autography" and "The B-List") were explicitly inspired by the band's disdain for their record label Geffen and its executives. The album was far more successful than the band's 2002 effort and sold 42,000 copies within its first week, as opposed to its predecessor's 11,000. The release was followed by the semi-headlining Nintendo Fusion Tour with Fall Out Boy, kicking off in September 2005. A few dates into the tour, The Starting Line were — at their request — released from their record deal with Geffen, and became free agents. In early January 2006, their signing with Virgin Records was announced.

• 

  MXPX
• Wrecks
• 

  Microwave

  Let's Start Degeneracy

  https://purenoiserecs.lnk.to/microwave

• 

  Emery

  Emery is an American post-hardcore band from Seattle, Washington. Emery formed in 2001 in Rock Hill, South Carolina but moved to Seattle, Washington in search of a better music scene.

• 

  Magnolia Park

  MAGNOLIA PARK have never been ones to settle for subtlety. Since forming in 2018, the Orlando, Florida-based quintet have, over and over again, proven themselves to be one of the most exciting and forward-thinking groups in the underground, spinning a chameleonic, genre-spanning sound that incorporates punk, rock, pop, hip-hop and metalcore into a dizzying, multisensory experience.

  Blazing onto the scene with an insatiable social media work ethic and prolific musical output, their popular Halloween mixtapes, multi-part Eater EP series and full-length debut, Baku’s Revenge, cemented them not only as a playlist and For You Page favorite for millions of listeners around the world, but a must-see live act on tour with Simple Plan, Sum 41, A Day To Remember and the inaugural Summer School tour (where they served as a headliner), as well as major festivals like Reading and Leeds, When We Were Young, Sonic Temple and Welcome To Rockville.

  Now, Magnolia Park – vocalist Joshua Roberts, guitarists Tristan Torres and Freddie Criales, drummer Joe Horsham and bassist Vincent Ernst – are set to unleash their most ambitious effort yet: VAMP (Epitaph Records), a neo-gothic concept album rich in world-building and gripping storytelling. Culling influence from the band’s favorite anime including the long-running Vampire Hunter D, along with inspiration from iconic works like Star Wars, Dracula and Joseph Cambell’s legendary monomyth, Vamp unravels an ominous journey through Nocturne Nexus, where rulers and rebels battle with the future hanging in the balance.

  The project’s roots took place in Australia, where, after performing triumphant sets to thousands at the 2023 Good Things Festival, the band was more encouraged than ever to chase a bold, new, musical direction: one that found them tapping into the heavier influences they’d begun dabbling in on Halloween Mixtape II, adding a ferocious bite to their trademark pop-punk-meets-hip-hop sound.

  “Seeing the crowd react to our heavier songs was really eye-opening for us,” says Torres, referencing “Animal,” featuring Ethan Ross and PLVTINUM, and the 20 million-streamer “Do Or Die,” songs that showcase the true versatility of the group. “That reaction inspired us to continue exploring that side of our sound, which informed how we started building out the world of Vamp.”

  Leaning into these more morose, minor-key impulses, the band began crafting their next chapter. Songs like “SHALLOW” and “SHADOW TALK,” some of the first the band penned for the follow-up to Halloween Mixtape II, set the tone, with repeated references to darkness, shadows, and monsters – leading them to think bigger about what the set of songs could become. Before long, they were entrenched in building out the album’s details, crafting characters, settings, and storylines that added new layers of complexity and creativity to their already captivating sound.

  Vamp follows Aurora X1, a half-cyborg/half-human heroine thrust into turmoil when the Shadow Cult, led by her estranged father, Obsidian, launches a plan to merge the Shadow Realm with the physical world. Following ancient legends, occult mysticism and the destruction left by the Shadow Cult, Aurora and her army of Shadow Breakers search for the Bloodstone, a powerful gem that grants them superhuman speed and strength – but not without its own cost.

  Across the album’s 11 tracks – produced by the band’s own producers, Torres, Criales and Ernst, alongside Andrew Wade (A Day To Remember, Wage War), Hiram Hernandez (blessthefall, Real Friends) and Andy Karpovck (408, Taylor Acorn) and mixed by Zakk Cervini (Bad Omens, Bring Me The Horizon) – Magnolia Park soundtrack this dramatic tale of crimson blood and chrome-plated courage through their own mix of man and machine, stacking whirring electronics and industrial undertones alongside sledgehammer breakdowns, walls of detuned guitars and Roberts’ seam-splitting vocals.

  The anthemic nü-metal rage, replete with sky-high melodies, is front and center on tracks like pre-release singles “WORSHIP” (ft. PLVTINUM and Vana) and “CULT,” which see both Aurora and Obsidian readying their followers for the epic battle ahead. Elsewhere, “CRAVE” finds Aurora’s followers, the Vampires, fighting a war within, battling their thirst for blood while attempting to sidestep a horrific act that might doom them forever.

  But despite the intricately detailed, jet-black motif of Vamp – not just the music itself, but the accompanying photos, videos, artwork, merchandise and, as fans will soon see on tour, production at the band’s already raved-about live show – at its heart, the album is deeply personal. The songs stand as a unified, cohesive body of work, complete with a cliffhanger that sets up even more epic events in the future of Aurora X1 and the Shadow Realm. But divorced from the larger narrative, they also represent the push and pull of personal life. So while a song like the mournful “OPHELIA” stands as a reminder of the cost of war, and “THE SCREAMS” details Obsidian’s power to infiltrate the minds of his enemies, they’re born from very real places in the band’s personal lives: love and loss, the internal strength required to tune out the forces looking to shake us from our dreams.

  It’s this ability to blur the lines – between genres, yes, but even between how their songs can resonate with audiences – that’s made Magnolia Park such an exciting band to watch. There are few acts in the scene who could effortlessly alternate between covering a beloved Disney track (“I2I,” which the band lent to the 2024 A Whole New Sound compilation) and conceptualizing a heady, intricate work like Vamp, but that unpredictability is truly what keeps fans – and Magnolia Park themselves – on their toes.

  “The most exciting thing about this band is how everyone elevates everyone else,” Roberts says. “I'm just so glad that we're all able to do that and come out with great music and great vibes and feel like we’ve accomplished something special. That's the whole mission: to make sure that at the end of the journey, we're better than we were in the beginning.”

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