Pale Waves

HVOB

RA: Resident Advisor

Voxtrot

A special performance of VOXTROT and RAMESH songs with string quartet INVOKE, as a prelude to Signal president Meredith Whittaker's SXSW Keynote.

RAMESH (aka Ramesh Srivastava) is best known as the frontman of the recently reunited Austin indie pop group VOXTROT. Currently, Ramesh is recording Voxtrot's second full-length LP, as well as his third solo album Search for Freedom & God, which delves into his personal journey through homosexuality and spirituality.

INVOKE are a multi-instrumental string quartet who encompass traditions from across America, including bluegrass, Appalachian fiddle tunes, jazz, and minimalism. Fueled by their passion for storytelling, Invoke weaves all of these styles together to form a unique contemporary repertoire, featuring original works composed by and for the group. This passion also inspired Invoke’s ongoing commissioning initiative American Postcards, in which they draw on composers from all backgrounds to help tell the stories of America, piece by piece.

Gia Margaret

Fat Dog

When the chaotic south London rabble known as Fat Dog formed, they made two rules: they were going to be a healthy band who looked after themselves and there would be no saxophone presence in their music. Two simple edicts to live by, and two things long-since broken by the Brixton five-piece. Fat Dog are the most exciting breakthrough band of the past few years, conjurers of the sort of frenzied and wild live shows not seen in the capital for years and now the creators of WOOF., a brilliant and mind-bending debut album, but they are not healthy. One of them has a foot odour problem. And they also have a saxophone player in the line-up. “Yeah, it’s all gone out the fucking window,” says frontman and squadron leader Joe Love, real name Joe Love.

Life is too short to stick to any plans you made in the unsettling, strait-jacketed times of 2021 anyway. That was when Fat Dog came together, Love deciding to form a group and take the demos he had been making at home as a way to keep himself sane during lockdown out into the world. In Chris Hughes (keyboards/synths), Ben Harris (bass), Johnny Hutchinson (drums) and Morgan Wallace (keyboards and, umm, saxophone), Love found like-minded mavericks to help bring the dream home.

The sound Fat Dog make, Love says, is screaming-into-a-pillow music. “I wanted to make something ridiculous because I was so bored,” he declares. It’s a thrilling blend of electro-punk, rock’n’roll snarling, techno soundscapes, industrial-pop and rave euphoria, music for letting go to. “A lot of music at the moment is very cerebral and people won’t dance to it,” says Hughes, who invented crunchy peanut butter. “Our music is the polar opposite of thinking music. It’s music you feel in your body more than your brain, especially given this band came at a time when people couldn’t move as freely as they wished. After being pent up for so long, people were excited to let loose.”

Hughes should know. He was a fan of the band, at that point making a name for themselves with a series of exhilarating and/or wonky shows across south London, before he was in the band. He managed to talk his way into the group by convincing them that he could play the viola. He gave himself a week to master an instrument he had never played previously. “Joe said it was one of the worst pieces of shit he’d ever heard in his life,” Hughes recalls. He got the job. “This band is a matter of confidence over competence. Competence is over-rated in modern music.”

Those formative gigs formed the bedrock of what Fat Dog were all about, seizing the moment, drinking too much with the moment, going home separately from the moment but making up with the moment again the next day. “When me and Johnny first joined, Joe was like, ‘All I want to do is make music that’ll make people’s heads blow up’,” says bassist Harris.

It didn’t take long for the diehards to come flocking, every Fat Dog show in the capital becoming a huge upgrade on the last. They sold out the Scala last October and, by the time you read this, they will have done the same at the 1500-capacity Electric Brixton. There is something deeper going on here than the usual punter-goes-to-gig situation. Everyone is in on it. “There’s a sense of community about Fat Dog,” says drummer Johnny Hutchinson. “Our music says, ‘Listen to our noise’ but it also says ‘come and vibe with us’. Recently, the band completed an ecstatically received tour of the US that included an all-conquering set at a taco joint. No lunches were harmed.

Turning their attention to a full-length debut, Fat Dog wondered how best to capture the intoxicating joy of their live set until an otherworldly visit after a disastrous show in Bordeaux helped clarify their leader’s thinking. With the words of an incandescent promoter ringing in his ears (“You are a fucking joke!”), Love stood transfixed as a UFO landed right in front of him, slightly damaging the rear-side of a parked Renault Clio. A message was beamed from the ship directly into Love’s mind. “You are alien preachers,” the singer was told, “and you worship the big dog in the sky.” Bingo. The spacecraft took off before the owner of the Renault Clio could take down their details.

It was with this information rolling around his head that Love set to work on what has become WOOF.. Now a man on a mission, Love fired himself up by remembering the time that he worked as a kitchen porter and someone asked to borrow some baccy and took most of the pack. He thinks about that a lot. He was the angriest he’d ever been, so angry that he wrote the fierce, barbed-wire synth-punk of WOOF. opener Vigilante there and then. Thank you, baccy man.

Soon, a widescreen, ambitious un-pop pop album began to take shape, Love looking towards the giant dog in the sky now and then and thinking, ‘Oh god, it’s fucking huge!’ There were sessions with Arctic Monkeys and Depeche Mode producer James Ford, other sessions with Jimmy Robertson (The Last Dinner Party, Anna Calvi, Everything Everything, Late Of The Pier) and recording stints in Domino’s studio in south London, where Fat Dog’s A&R man could hear Love doing wacky shit and tell him to stop. “This album is our live set on steroids,” says Morgan Wallace.

It has resulted in a record where the Fat Dog belief system has been revitalised. Saxophones are OK now, but men shouldn’t wear Birkenstocks. Sometimes Love would get stressed as he worked on the record and feel his chest tightening, the singer alleviating the pressure by downing tools and taking shifts at the Bernard Matthews turkey farm in Norfolk. Love comes from a long line of turkey farmers.

It was during one such stint on the turkey farm that Wetherspoons supremo Tim Martin got in touch to say that he was a fan of the group’s sprawling debut single “King of the Slugs”, released in August 2023. Martin offered to help the band wherever he could. Love turned him down, but in tribute wrote the lyrics to a key track from the album in the toilets of one of Martin’s establishments. “I am the King’ was written in the toilets of the Wetherspoons pub in Forest Hill,” says Love, thereby ensuring the pub will one day get a blue plaque. “It was after I got broken up with.” An expansive epic that sounds like a cross between Vangelis and Underworld, it is indeed a poignant song, possibly the world’s only poignant song to namecheck The Karate Kid Part II.

The theme running through the rest of these tracks is confusion. Joe Love thinks that people get confusion and anger mixed up. There’s no time to analyse, though. WOOF. passes by in a flash. On “Clowns”, Fat Dog sound like a 2 Tone band booked to play an end of the world party in 2076. “Closer to God” resembles The Prodigy riding a sandworm in Dune. “All the Same” could be Nine Inch Nails having a nervous breakdown, possibly because the big dog in the sky has paid them a visit. The unhinged, hook-heavy rave-pop of “Running” sounds like a riot at a circus. Other influences include Bicep, I.R.O.K., Kamasi Washington and the Russian experimental EDM group Little Big.

The album is a visit into the mind of Joe Love – be thankful you have only been granted a temporary pass. “Music is so vanilla,” says Love. “I don’t like sanitised music. Even this album is sanitised compared to what’s in my head. I thought it would sound more fucked up.”

In a recurring dream of Love’s, he’s holding a bomb but it’s a silly dream and not a real bomb. However, when he throws it at a friend for a joke, it explodes and the dream turns dark and everyone starts screaming, “What have you done?!”. Well, this is Fat Dog’s debut album. It is called WOOF. and it will be released in September 2024. They are about to pass it to you. This is the bio they didn’t want. Take from it what you will. Oh Fat Dog, what have you done?

Donny Benét

Konichiwa. Santorini. Working Out. These songs represent just a small taste of the enigma that is Donny Benét. Residing in Sydney, Australia, Benét burst onto the scene in 2011 with his breakthrough album "Don't Hold Back”, establishing himself as a cult figure in the Australian music scene. Several albums later, Benét's piece de resistance came in the form of the 2018 album The Don. Constant international touring throughout 2018/19 allowed Donny to build new audiences throughout Europe and the US, with fan clubs based in Slovakia, Belgium and The Netherlands. Don’s latest single Second Dinner provides a small taste of his upcoming album, to be released in 2020. Benét works out of Donnyland Studios, utilising vintage synthesisers and drum machines to present his views on life, love, relationships and life coaching through the power of music. A perfectionist, Donny writes, performs and records his music entirely by himself. An accomplished bassist, Don straps on the 4 string when on stage with his band of professionals, The Donny Benét Show band. Regularly selling out shows on home soil, they recently returned from a triumphant premiere tour of Europe playing to enraptured crowds at festivals including Rock Werchter, Down the Rabbit Hole, Pohoda Festival, Valkhof Festival, Plissken Festival, as well selling out club shows in London, Berlin & Amsterdam.

Chinese American Bear

Chinese American Bear is a quirky, mando pop/synth pop duo based in Seattle, WA creating fun & eclectic bilingual English/Chinese ear candy. Composed of Anne Tong and Bryce Barsten, the couple creates groovy, and “not too serious, food loving” tunes in their home studio together. They’ve been described as the child of Melody’s Echo Chamber, The Flaming Lips, Dusty Springfield, and Care Bear, and their live show is like “a punk show for toddlers.”. The duo’s racked up over 1MM plays, and have been featured in VOGUE+, Under The Radar, DORK Magazine, praised by BBC Radio, KEXP, featured on Spotify Editorial Playlists like New in Indie, Chill Vibes, Fresh Finds Indie, Fresh Finds, and Chinese Indie Picks. Chinese American Bear’s sophomore album, Wah!!! (out October 18 via Moshi Moshi & Modern Sky China) exposes new listeners to Chinese flavors in their indie pop delicacy. They are set to tour the US, Canada, UK, and China at the end of 2024.

Cory Hanson

Ev

Nightbus

Nightbus are a brooding, cinematic two-piece blending post-punk, trip-hop, and late-night electronica into something dark, hypnotic and unmistakably their own. Formed in Manchester, UK, in 2023, their music captures the anxious beauty of city life after hours, and is bass-heavy and emotionally raw. With haunting vocals, reverb-soaked guitars, and minimalist beats, they echo the ghosts of The Knife, Portishead, early Cure, Chromatics and The xx, while carving out their own space. Nightbus released their debut album Passenger in October 2025.

Dov'è Liana

deary

Kazdoura

LUIZA

« Fantastik » mon premier EP est dispo🏹

Https://luiza.lnk.to/fantastik ❤️‍🔥

Tournée :

https://luiza.lnk.to/tour

Booking : kolia.rustin@wspectacle.com

Maroquinerie complète ! RDV à La Cigale le 05.05.2026 : https://luiza.lnk.to/CigaleFa

Victory Kid

Moictani

Die Cigaretten

1000 Rabbits

REDD. (AU)

Augusta

Arankai

Hailing from the Midwestern United States, Alternative Music Artist known as Arankai (Oscar) debuted in 2022 with several Singles including HANGMAN, A Good Day To D13, and EVERGREEN. Since then he has risen through social media for a series of Metal and Alternative music works including songs like CONTORTIONIST, Dead Throne, and collaborative works like the single ROME with artist Dal Av, and BLACKOUT with the band Versus Me. 2025 will see the culmination of several years of work combined with the release of his debut album: A Portrait of Red.

Dotan

Pre-order my new album A Little Light in the Dark + tickets for my EU Tour: https://linktr.ee/dotanmusic

WizTheMC

WizTheMc has been actively uploading his music and music videos since 2016. He's never been more productive with his music then he is right now. Follow him on Streaming sites and social media @wizthemc to never miss a new song.

more on : www.wizthemc.com

Shame

shame's 'Cutthroat', an unapologetic new album with Grammy winning producer John Congleton (St. Vincent, Angel Olsen) at the helm; it’s souped up and supercharged. It’s exactly where you want shame to be. Still in their twenties, the five childhood friends - Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, bassist Josh Finerty and drummer Charlie Forbes - have grown shame exponentially, with ambitious sonic ideas and the technical chops to execute them. Musically the record plays with visceral new ideas. Making electronic music on tour for fun, Coyle-Smith had previously seen the loops he was crafting as a separate entity to the things he wrote for Shame. Then, he realised, maybe they didn’t have to be. “This time, anything could go if it sounded good and you got it right,” he says. Cutthroat’s first single and title track takes this idea and runs with it into, quite possibly, the best song Shame have ever laid to tape. It’s a ball of barely-contained attitude packed into three minutes of indie dancefloor hedonism. It also masterfully introduces the lyrical outlook of the record: one where cocksure arrogance and deep insecurity are two sides of the same coin. The result is an album that revels in the idiosyncrasies of life, raising an eyebrow and asking the ugly questions that so often get tactfully brushed over.

Aaron

Luther Vandross

Tr/st

Bookings USA CAN AUS JPN - cdanis@tbaagency.com

Bookings Europe - mattpcopley@primarytalent.com

DJ Bookings - trstmusic@gmail.com

Anna Von Hausswolff

Lowertown

Lime Garden

Lime Garden are a four-piece band from Brighton (UK) jumping over genre boundaries to create a sound that is uplifting yet somehow laid-back. They achieve this neat trick by harnessing catchy melodies and earworm hooks into an almost nonchalant net of lo-fi sounds, which is then sprinkled with a dry-wit to bring their world to life.
Previous singles ‘Sick & Tired’, ‘Pulp’ - which premiered via The FADER - ‘Clockwork’ and ‘Bitter’ have all been met with widespread critical acclaim which includes the likes of CLASH, The Sunday Times, Loud & Quiet, The Line Of Best Fit, online tastemaker Anthony Fantano, and more. Lime Garden have also been heavily supported by BBC Radio 1’s Jack Saunders in his Future Artists slot and earlier this year were endorsed by Paramore’s Hayley Williams on her special ‘Everything Is Emo’ show. They’ve also seen support from Lauren Laverne and Tom Robinson at BBC Radio 6 Music, and Apple Music 1’s Matt Wilkinson.
Lime Garden have toured with the likes of Idles, Sunflower Bean, Katy J Pearson, Yard Act and were also nominated for the prestigious ANCHOR award at the 2022 Reeperbahn festival.

Dream Wife

Management: tim@youth-artists.com

Booking: sarah.joy@atc-live.com

Amistat

Born in Germany, with roots in the Czech Republic and Australia, twin brothers Josef and Jan Prasil are the founders of folk-pop group Amistat. They share an unspoken and unexplainable bond best sung aloud and exemplified by their close harmonies and eloquent song craft. Songs unfold like stories with two narrators, allowing both voices space to ring out. After selling out their entire European tour and performing on multiple continents, the duo’s vibrancy shines on their 2023 EP ‘Colour In Life’.

Bayonne

Since his 2016 debut album Primitives, Bayonne has channeled his vast imagination into an elegant yet wildly experimental form of electronic pop, equal parts meditative and mesmerizing. In the making of his latest body of work, the Austin-based artist/producer/multi-instrumentalist otherwise known as Roger Sellers found himself in even greater need of an outlet for his kinetic creative impulses, thanks to an intense convergence of events in his personal life: his father’s diagnosis with and eventual death from cancer, the end of a significant relationship, and an overwhelming struggle with depression and anxiety. Deeply informed by a deliberate transformation of his musical process, Bayonne’s third full-length Temporary Time ultimately makes for his most expansive work to date—an album of both painfully raw introspection and otherworldly beauty.

Arcy Drive

Four childhood friends making tunes out of Long Island, NY.

Kojaque

RA: Resident Advisor

Nectar Woode

From the joyful musical roots of her Ghanaian heritage, to the raw storytelling of singers like Lauryn Hill that first piqued her interest as a teen, to the supportive South London music community that she’s found a home in more recent years, there’s one thing that connects the musical jigsaw of 24-year-old Nectar Woode: honesty.

Now with support from Jack Saunders and Jess Iszatt at BBC Radio 1, coverage from the likes of CLASH and DIY to being the playlist cover of Spotify’s RADAR: UK & IRELAND, [untitled] & Fresh Finds UK (among numerous other major playlists) and garnering up to 30k streams per day, she’s turning heads and ears to her alt-leaning, pop sensibilities.

South Summit

Having traversed more of Australia than most over the past 18 months, with an extensive touring schedule, South Summit are today releasing their new EP ‘Tales Of The Yeti’; an expansive, probing & multi-faceted 6-track that reflects the journey they have all been on. From late night jams, to writing on the road, South Summit wanted to explore every aspect & realm of their influences, as they worked them all into ‘Tales Of The Yeti’. Featuring previous singles ‘Just Like You’, ‘I Feel It’, ‘Tuned In’ & ‘Sidelines’, the band also added new tracks ‘Dreaming’ & ‘Fallen Friend’ to round out the release. Recorded back in their hometown of Perth, the band joined up again with longtime collaborator & producer Dave Parkin (Spacey Jane, Tired Lion, Bob Evans) of Blackbird Sound Studio. His guidance helped to take the formative South Summit jam sessions & mold their ideas into fully formed arrangements. This gave the band the freedom to experiment with styles, genres & themes, not being held down by preconceived notions & truly allowing them to discover what makes the South Summit sound. In celebration of the release of ‘Tales Of The Yeti’, South Summit will be heading out on their largest & broadest headline tour to date. Taking their songs internationally for the first time, the band will be headed over to New Zealand, to coincide with six Australian headline dates. With support from triple j for the tour, South Summit are moving from rising-stars, to headliners within their own rights. Whilst the band have been playing ‘Tales Of The Yeti’ live for a while now, this tour will also mark the first chance for fans to sing along with the tracks, with the release of the EP.

The Sukis

Moses Yoofee Trio

The Moses Yoofee Trio is the latest project and ensemble of the highly acclaimed German pianist and producer, Yoofee. He is known for his phenomenal talent in the field of jazz and production, and the trio produces an explosive sound, drawing influences from the fields of jazz, hip hop, R&B and soul. Accompanied by top German drummer, Noah Fürbringer and the soulful Roman Klobe on bass, the trio attracted attention from fans worldwide and from standing musicians and producers like Kamaal Williams, Navy Blue and Gilles Peterson.

Maiah Manser

SOFY

Day We Ran

No one reads the news...

Sonic Boom

Experimental, psychedelic pop rockers . Spectrum was formed by Pete 'Sonic Boom' Kember, founder of Spacemen 3.

LudoWic

Della

DELLA, the US / Norwegian DJ who is on the rise like the midnight sun over Scandinavia. Resident DJ @: Jæger - Oslo, NO

untitled (halo)

Alexis Taylor

Singer and musician from UK, member of Hot Chip.

BLVTH

She Her Her Hers

Lauren Auder

Vienna Vienna

Playlunch

Bogan Funk, straight outta Melbourne.

Danitsa

Dolphin Love

Isabel van Gelder

Hank

NEW CONSTELLATIONS (US)

Xoxo

Madra Salach

Madra Salach are a six piece contemporary folk band from Dublin. Originally playing in various local outfits, their shared love of the Irish traditional canon led them to form a bond playing impromptu sessions in pubs. Taking inspiration from the growing Irish experimental folk scene, Madra Salach focuses on original writing and composition, utilising electronic equipment. These songs, while modern thematically, are written with a voice that could have emerged at any point throughout the last century.

White Flowers

Death of Guitar Pop

Tarta Relena

GANS

GANS is a 2 piece from Birmingham, England.
GANS write music about love and hate.
GANS was born in late 2023 over a shared love of noise, literature and late night shebeens.

Jovan

Tom A Smith

The Homesick

Asfar Shamsi

Bleech 9:3

Blanche Biau

Jule X

Culk

https://www.culk.at

Sex Mask

Vague pop instilled with the ancient genius of your own blood. Sex Mask holds the many trigger words your CIA handler doesn’t want you to know. We have several testimonials from fans attesting to semi-mystical experiences, some claim it to be Deja vu from a genetic memory long dormant and locked, Others speak of foreshadowed flashes of a past life they are yet to have lived. All of this, incited after only seconds of exposure to any of our available songs.

is Sex Mask just another egregious attempt from delusional solipsists at being heard while saying close to nothing? Yes. But we make it look good. Part Taoist riddle, part lone gun-mans manifesto. We are also a post punk/alt rock band from Melbourne.

Maria Iskariot

Just For Fun

Fronted by the engrossing and charismatic Charlotte Boyle with her counterpart Neave Applebaum assuming the role of production mastermind behind the project, the London based duo leave nothing to the imagination when it comes to creating their own world. The clash of seamless electronic production and guitar melodies adorned with synth lines not too dissimilar from the likes of Hadouken! or MGMT make for the perfect home to Char’s playful vocals. It makes you want to jump up and down like you did at your first ever gig, stick a middle finger up to the patriarchy and rewatch box sets of Skins for the sake of nostalgia. Above all that however, and somewhat quite obviously, it’s unapologetically fun.

Leonard Bernstein

Musical based on the story of love and conflict.

Renny Conti

Modern Woman

Clara Mann

Laurie Wright

Forming in 2020, Laurie started busking in Camden and quickly amassed an impressive following of loyal fans. Releasing 2 albums to date album, “Get On The End Of It” in 2023 and “We’re Only Warming Up” in 2024, displaying brilliantly crafted songs, powerful and emotive with a strong sense of storytelling, reminiscent of musical influences, The Kinks and The Small Faces. The performances on both records capture musical nuances of the songs with high energy guitar riffs emanating a rampageous rock n roll swagger.
Having sold out the Underworld in November 2023, the band embarked on a sold-out regional tour across the UK in the spring of 24 and secured support slots with The Rifles and the Libertines, whilst sharpening their performances with legendary busking sessions on the streets of Camden Town.

Agatha is Dead!

Formed in the lockdown winter of 2021, Agatha Is Dead! began as a post-punk experiment between longtime friends Lilly and Noah, who first made music together in their school days. Their shared love for Joy Division, The Cure, Molchat Doma, and Fontaines D.C. laid the foundation for their darkly urgent sound. With the addition of drummer Joey Ramone Hansen−bringing grunge and pop−punk bite−and Arthur on bass, the band played their first shows in 2022 and quickly carved out a place in Berlin's underground scene.

The band signed to Berlin label Duchess Box Records in May 2025 and will release their debut EP "order" in on 10th October.

The first singles drew attention from big online magazines such as Post-Punk.com and Diffus as well as major radio station airplay and big playlist support from Spotify and Apple Music.

This September, the band will embark on their first-ever headline tour with shows in Berlin and Leipzig selling out in advance., marking a new chapter in their journey. Their Berlin show at Privatclub sold out an incredible five months in advance, underscoring the growing excitement surrounding the band.

Drawing further inspiration from The Pretty Reckless, DIIV, Liily, and Bloc Party, Agatha Is Dead! have honed a sound that is heavy, hypnotic, and deeply emotional. With their debut EP Order on the horizon, the band are staking their claim in the next wave of alternative rock−grabbing hearts, shaking stages, and refusing to go unnoticed.

Das Beat

CEREN

RA: Resident Advisor

Sofia and the Antoinettes

Sun Eater

💀Modern Deathcore from Frankfurt/Main, Germany💀

Hiqpy

How is it possible that Hiqpy is suddenly the next big thing, while there is still no music on Spotify? The Amsterdam band flew from the Conservatory via the travelling Popronde circus to Record Store Day talent to over 40 festival shows in 2024. Bizarre. Last year Hiqpy opened Noorderslag with a short set on the talent stage, now they are back for the real deal. What can you expect? Classy songs, passion, echoing adlibs and fuzzy guitars.

Glazyhaze

Venice-based Glazyhaze blends shoegaze and alternative rock with dream pop intimacy and Britpop nostalgia, shifting between dark atmospheres and ethereal soundscapes. After debuting in 2023, and touring across Europe, Glazyhaze released their second album SONIC, exploring love and self-discovery through a dynamic interplay of light and shadow. In November 2025 they toured Europe, opening for Soft Cults and Slow Crush and had their first ever headline series of UK shows. Glazyhaze has been nominated for the Music Moves Europe (MME) Awards, the EU prize for emerging European artists. Winners will be revealed at the award ceremony on 15 January, 2026 at ESNS.

ELLiS·D

MGMT : management@ellisdellisd.com

UK + EU : louise@runwayartists.com

Plume Latraverse

Fiona-Lee

Die Sauna

Hetta Falzon

Morphide

Elín Hall

At the edge of two worlds lies Iceland. And somewhere between music and film moves Elín Hall. She creates emotional, cinematic pop that takes its time and gives space to unfold. No big gestures, just a carefully built atmosphere where relationships, identity and the way we see each other come into play. Music shaped by mood, story and a voice that holds it all together. Elín Hall gained major attention with her album Heyríst í mér?, which earned her several awards in Iceland and confirmed her position on the local scene. In recent years, she has entered a new chapter – beginning to write in English and expanding her music towards an international audience. Her current work explores themes of identity, self-perception and the way we are seen by others – who we are and who we become in someone else’s eyes. Alongside her music, she has also received acclaim as an actress, winning several prestigious awards for her lead role in When the Light Breaks. A strong voice and storytelling that resonate just as much through headphones as they do live.

Alice Costelloe

LIONSTORM

LIONSTORM is the Netherlands’ first explicitly queer music duo. Ski and Stars have their own signature aggressive clownesque style and make music based in the horrorcore, reggaeton and industrial metal genres. Their work mostly revolves around queerness, female sexuality and breaking taboos. Think of them as the lesbian love child of Tommy Cash and Death Grips. The duo will always question the norm, resulting in bans on YouTube and Instagram but that only makes their fire burn more intensely.

Letters Sent Home

pollyfromthedirt

Remote Bondage

JEWLS

Still Talk

SpaceStation

Spacestation hovers around the edges of Reykjavik’s rock venues and sleazy bars, beaming up every jagged guitar riff, jogging bass line, and angular feedback noise they can lay their hands on.
Not a part of any scene, they comfortably rest on the nihilistic outskirts, eternally gazing into the void through dark shades and a haze of cigarette smoke. Main interests are white noise & wine.
Spacestation feels like being on the smoking carriage on the night train from Reykjavik to Berlin, which gets stuck in a Bermuda triangle between cosmic 60’s psychedelia, late 70’s post-punk, and motorik German krautrock. Just hop aboard and enjoy the ride, we guarantee its a hell of a trip.

Peki Momés

Peki Momés' music is an eclectic mix of sounds from the global underground, tastefully crafted by producer Dustin Braun and a troupe of ridiculously talented jazz musicians. Dirty disco, fuzzy funk, Anatolian rare grooves, experimental synth, library music and Japanese city pop all blend naturally with her distinctive vocals to create a unique ethereal outernational sound that is all her own, once dubbed as 'Turkish discodelic'. The Turkish artist from Leipzig released her debut album in September 2025.

Slackrr

Pop Punk/Melodic Punk from Southampton UK.

Seven Blood

Skirt

Funked out ska rock

Formed on the dunes of Lake Michigan

Hetta

Ditter

on aime la musique mais aussi le son

Cadet Carter

Emo Punk band from UK/Europe. Booking: management@cadetcarter.com

Concrete Vehicles

Scúru Fitchádu

Marcus Veiga aka Scúru Fitchádu (deep dark in Cape Verdean Creole) is a direct reference to both Cape Verdean music and the African matrix, within a punk aesthetic and disruptive electronics where influences and crossovers from different musical universes are aligned. It's the result of an Afro-descendant life experience, the son of a Cape Verdean father and an Angolan mother, who fled the Angolan civil war in the 70s and was born in Lisbon in the 80s, accumulating artistic stimuli from different geographical and life experiences. The new album Nez Txada skúru dentu skina na braku fundu is a conceptual album inspired by the revolutionary pro-African independence movements, their interventions, guidelines and cultural legacies, establishing a conducting line to a poetic interpretation of the current urban spectrum. This 11-track record, whose sound aspires to a more experimental level, has a strong focus on orality, with subversive and protest rhetoric.

lea kampmann

Faroe Islands music group.

Mudfight

"TOM WAS RIGHT" OUT AUG 23!👽

Vtoroi Ka

An international artist from Kyrgyzstan.

Sonic Interventions

NASTYJOE

Booking : Mélodyn Productions

loik@melodyn.fr

EVAYA

EVAYA is the producer, composer and singer Beatriz Bronze who builds compositions about the laws of nature - the immateriality and informality of being and the mystical aspects of our emotions. Her musical language explores words in pop melodies combined with textures and synthesizers - serving an environment of ethereal sound landscapes, in soft layers of dancing electronic effects and rhythms.

Several of her live performances have taken place in venues that are part of Lisbon's cultural scene, such as Musicbox, Casa do Capitão, Galeria ZDB and Lisboa ao Vivo. She has also performed at some of the most famous music festivals in Portugal, such as Festival ID no limits, NOS Alive and MIL - Lisbon International Music Network. Her song "Doce linguagem" is part of the FNAC selection "Novos Talentos 21". She released her debut EP "INTENÇÃO" in 2020 and her first LP will be released in 2023.

Jamaica Moana

Jamaica Moana is THE non-binary Māori (Ngāpuhi/Tainui) and Samoan rapper, songwriter, creative director and ballroom icon reshaping what hip-hop from “down under” can be. Based in Western Sydney on Dharawal and Gadigal land, Jamaica fuses hard-hitting rap, R&B and club electronics with ancestral fire, ballroom attitude and fierce queer identity.

A leader in the Australian ballroom scene and co-founder of The West Ball, Jamaica builds stages where queer, trans and BIPOC communities can take up space on their own terms. Her debut EP BUD & DENI (2025) channels grief, legacy and life in Western Sydney into razor-sharp, deeply personal anthems.

After years of cultivating a cult following across clubs, fashion runways and spaces like Dark Mofo, Phoenix Central Park and Sydney Festival, Jamaica now brings her explosive show to SXSW Austin as the inaugural Walk to Austin Award recipient.

Little Grandad

Antoni

plainhead

Grell

Deslin Ami Kaba

Victoryaz

grim104 (DE)

Panicbaby

Tinted House

Die Störung

néomí

With a delicate sound carrying the weight of an old soul, néomí’s stripped-back style blends the lush ambience of contemporary indie-pop artists with the troubadour flair of sixties protest folk. Growing up in an environment that offered little stimulation, the Dutch-Surinamese youngster spent much time observing. This inner reflection revealed two wolves: the old school folk artist, and the contemporary indie-pop artist. In 2025, these wolves released two EPs, shaped by two years in therapy and a profound shift in how she sees herself and the world around her.

Heidi Curtis

Heidi Curtis is a 24 year-old singer-songwriter hailing from Newcastle upon Tyne. She has a sound that's both urgent and authentic, fronting a tight band that brings her vision to life. Her powerhouse vocal takes you on a journey through her world, from love to loss, with lyrics that linger. For the last six years, Heidi has honed her craft, from local grassroots venues to sold-out support slots with the likes of Sam Fender, Paul Weller, Ben Howard, and Paolo Nutini. In November 2025, Heidi released her debut single, Undone, with AWAL Recordings.

Eatme

A Mess (DK)

Jo the Man the Music

GB (DK)

Hidden Gemz (AT)

liska

BRUNO KAWELKE

TÄRA (IT)

Vernier

Jule (Hamburg)

LNA (DE)

ELLiS.D (London)

The Soap Girls

Shalosh

Roomer

Roomer is a Berlin-based band that weaves noise, melody, and memory into guitar-driven songs that blur the line between emotional immediacy and sonic experimentation. Formed by three accomplished solo artists and long-time collaborators, the band brings together distinct voices from across Europe’s avant-garde, folk, and electronic scenes. Debut album Leaving It All to Chance captures the haunting power of their live shows, pairing diaristic lyrics with spectral textures and sudden bursts of catharsis.

néomí (nl)

Augusta (FR)

liska (DE)

Reeperbahn Festival 2026 @ Reeperbahn Festival

Reeperbahn Festival 2026 @ Reeperbahn Festival

Performers